Home » Jazz Articles » Album Review » D.D. jackson: Anthem

208

D.D. jackson: Anthem

Mark Corroto By Mark Corroto

View read count
Jazz caveman grunts, “electric instruments bad, acoustic jazz good.” I must confess that of late, I was that Neanderthal jazz fan. I bought into the theory that electricity removed the requirement of musicianship in the music making process. While that may be true for teen rock and lite-jazz, talented jazz musicians can create absorbing and discriminating music with the juice on. Like fellow countryman Oscar Peterson, the Canadian born Jackson can display the pyrotechnically approach to the keyboard. He studied with the Jaki Byard and Don Pullen, the latter from which he adopted a dense somewhat dissonant percussive attack. On Anthem Jackson’s energy jazz is channeled into an amalgam of world music, funk, soul, and rock. His music a (re)new approach holds the promise once offered by Weather Report (Shorter, Zawinul, Pastorius, and Co.). Easy caveman, this music won’t hurt you, in fact it’s a ball. And it works because Jackson’s musical premise is one of joyous ebullience. Jackson’s prior recordings for the Canadian Justin Time label hinted at this direction of music, evidenced by his prior associations with saxophonist Davis Murray and producer Kip Hanrahan. With Anthem, it has reached full fruition thanks to his well-chosen band mates. Former Miles Davis drummer Jack DeJohnette has blended modern jazz with world music in his Special Edition/New Directions bands and percussionist Mino Cinelu is world music. Jackson’s choice of James Carter adds perhaps the most versatile multi-instrumental saxophonist working today. What makes this a gem of a record is the two relatively new musicians heard violinist/guitarist Christian Howes and bassist Richard Bona. Howes has single-handedly rescued the electric violin from jazz obscurity. He can play both inside and out, laying lyrical lines side-by-side with a screaming delivery. Likewise, the Cameroonian Bona evokes whispers of Jaco Pastorius with his approach to the electric bass. Jackson switches between his acoustic piano and B3 organ with great affect. A great new direction for a new millenium.

Track List:Spring Song; Pat; Water Dance; Showcase Blues; Carnavale; Simple Song; Her Song; Church; Dewey’s Groove; Anthem.


Mark Corroto FOLLOW Mark Corroto and get notified whenever a new article published.
Mark misses his dogs Louie & Freddy, but endeavors daily to find and listen to new and interesting sounds.

Personnel

D.D. Jackson

Album information

Title: Anthem | Year Released: 2000 | Record Label: RCA Victor


About D.D. Jackson

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Unlearning
Max Light
Paintbrush
Kirk Knuffke / Marilyn Crispell / Thommy Andersson
Live at Loft Köln
Blumer-Dell-Geisser-Morgenthaler

Popular

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.