Home » Jazz Musicians » Edward Partyka Discography
In The Tradition
Edward Partyka
Label: Neuklang Records
Released: 2018
Duration: 44
Views: 666
Tracks
Charlie Chan Photographs Sophisticated Lady Trouble & Woe The Great City 3 O'Clock Blues
Personnel
Edward Partyka
composer / conductorOliver Leicht
clarinetFlorian Trübsbach
saxophone, altoMalte Schiller
saxophone, tenorFlorian Leuschner
saxophone, baritoneKatharina Thomsen
saxophone, baritoneFelix Meyer
trumpetBenny Brown
trumpetGerhard Ornig
trumpetJörg Engels
trumpetMartin Auer
trumpetLinus Bernoulli
french hornSimon Harrer
tromboneLukas Wyss
tromboneRobert Hedemann
trombone, bassJan Schreiner
trombone, bassHendrik Soll
pianoPaul Imm
bass, acousticReinhold Schmölzer
drumsJulia Oschewsky
vocalsAlbum Description
„In The Tradition“ keeps the promise that’s inferred in its title. Without a doubt the Ed Partyka Jazz Orchestra maintains the tradition of great jazz big bands. It begins in a formal manner: Fletcher Henderson, Earl Hines, Count Basie, Duke Ellington, Woody Herman, Stan Kenton and Gil Evans all called their large ensembles an „Orchestra“ and not a big band. With that, they meant that they conducted a constant body of sound that – as a jazz orchestra – followed similar high aspirations as those of classical orchestras. The compositions and arrangements of Ed Partyka stay true to these traditions. Like the great bandleaders of the past, he handles his orchestra like a multilayered instrument whose timbres he employs with all of his ingenuity. The Ed Partyka Jazz Orchestra has much to offer: polyphonic woodwind and brass sections in the style of Bill Holman, crisp ensemble playing like Count Basie, sound paintings as previously done by Duke Ellington and at times the elegant touch of his mentor, the composer and arranger Bob Brookmeyer; A person – like Ed Partyka – who is able to combine these different sounds with such coherence that they seem forever intertwined and demonstrates that he is most clearly a master of his craft. In doing so, he creates something new, because despite all historical references, his orchestra imitates none of these historical models. Ed Partyka’s imagination and skills range far across the expectations of customary big band arrangements. Where others would write flatly, he combines with a fine sense strong rhythms, voluminous wind instruments, precise breaks and tender interludes with complex voice leading. Moreover he highlights the instrumental solos and the singer Julia Oschewsky with finely graduated orchestral sounds – also a sign of high musical quality. Top soloists crown these complex arrangements. The recordings of Bauer Studios (Ludwigsburg/Germany) give an opportunity to capture the sound of the Ed Partyka Jazz Orchestra in all of its depth. Despite the orchestral abundance, they are so transparent that each instrument is clear to locate and follow. This is a wonderful album for jazz orchestra connoisseurs. Werner Stiefele Journalist
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About Edward Partyka
Instrument: Composer / conductor
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