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Hastío y Paranoia

Matías Formica

Label: Numeral
Released: 2021
Duration: 54:42:00
Views: 230

Tracks

1. Inexorable (feat Pablo Ledesma – Pablo Bianchetto) 2. Acecha (feat Lara Alarcón – Jonatan Schenone) 3. El Ánima (feat Pía Hernández – Cristian Carracedo Lauretti) 4. Observa (feat Lucas Albarracín – Marcos Edward) 5. Alucina (feat Rocío Gimenez Lopez – Matthew Golombisky) 6. Entre sí (feat Juana Sallies – Juan Cruz Cerasa) 7. Lo Irreal (feat Pía Hernández – Cristian Carracedo Lauretti) 8. La Disrupción (feat Lara Alarcón – Jonatan Schenone) 9. Infausto (feat Lucas Albarracín – Marcos Edward) 10. Maleable (feat Pablo Ledesma – Pablo Bianchetto) 11. Pero del lado de atrás (feat Juana Sallies – Juan Cruz Cerasa) 12. Proyecta (feat Rocío Gimenez Lopez – Matthew Golombisky)

Personnel

Matías Formica

saxophone

Lara Alarcón

vocals

Jonatan Schenone

bass

Juana Salies

vocals

Juan Cruz Cerasa

Pia Hernandez

piano

Cristian Carracedo Lauretti

electronics

pablo ledesma

saxophone

Pablo Bianchetto

drums

Rocío Giménez López

piano

Matthew Golombisky

bass

Lucas Albarracín

cornet

Marcos Edward

guitar

Additional Personnel / Information

LARA ALARCÓN / voice, live processing and tape (2-8). JONATAN SCHENONE / acustic bass (2-8). JUANA SALLIES / voice (6-11). JUAN CRUZ CERASA / bass clarinet (6-11). PÍA HERNÁNDEZ / piano (3-7). CRISTIAN CARRACEDO LAURETTI / synthesizer (3-7). PABLO LEDESMA / soprano sax (1-10). PABLO BIANCHETTO / drumm (1-10). ROCÍO GIMÉNEZ LÓPEZ / piano and synthesizer (5-12). MATTHEW GOLOMBISKY / electric bass, likable noise, tibetan bowl and elephant bells. (5-12). LUCAS ALBARRACÍN / cornet (4-9). MARCOS EDWARD / electric guitar (4-9). MATÍAS FORMICA / tenor sax (1-4-9-10), alto sax (2-5-8-12), flute (3-7) and alto flute (6-11).

Album Description

Inexorable acecha el ánima, observa, alucina. Entre sí lo irreal, la disrupción. Infausto, maleable, pero del lado de atrás, proyecta. This project arises from the impulse of having made the album "AISLADOS" in the first part of the year, an album in duet with Jonatan Schenone, with my own compositions and improvisations. Which left me wanting to experiment more fully with free improvisation, but this time with the challenge of inviting different musicians, and doing totally improvised sessions. Some of them are great and admired friends, others, musicians that I admire and to whom I was encouraged to invite them to join this album. This project consisted of six recording sessions, each lasting an hour on average, of which I selected two pieces from each session. The idea was to have different formations with varied instrumentations, to generate different timbricall experiences, all trio formations where even I played different instruments, two sessions with tenor sax, two with alto sax, one with flute and one with alto flute, always thinking different instrumental combinations, but at the same time taking into account the different ways of approaching improvisation that each improviser has. At the same time I could classify the pieces into acoustic and electroacoustic. The criteria for selecting and assembling the album, I tried to make the total tell a story, that each piece was part of the whole. The first selection criterion was that in each song the trio sound prevails, although some tracks begin with a solo instrument, the general development occurs with the sound of the ensemble. The second criterion was to generate an album and not a compilation, with which the selection was to try to make the pieces combine with each other and with the total, trying to generate an album concept. The result in my opinion is as it usually happens, an intermediate point, there are very varied pieces conceptually speaking if we take them individually, but if they are heard in order, I think they combine perfectly. This project was a challenge, since there were musicians with whom I had never played, and at the same time several of them, did not know each other or had never played with each other, with which each session had an adaptation period, but paradoxically some of the more interesting pieces were the first ones, perhaps because of the surprise when they started playing. Personally, although I am fascinated with the result of the album, it was a great excuse to be able to continue “studying” free improvisation which, in my opinion, is done playing and due to the harsh conditions of the environment in which we live, sometimes it is difficult to do it assiduously

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