Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

21

Jazzmeia Horn: A Social Call

James Nadal By

Sign in to view read count
Coming from a gospel oriented family in Dallas, Texas, given a unique name and early tutelage by her piano playing grandmother, Jazzmeia Horn was destined to be a jazz singer. After relocating to New York City to pursue music studies, she went on to conquer the 2013 Sarah Vaughan International Jazz Competition, topping that by winning the Thelonious Monk Institute International Jazz Competition in 2015. All of this preparation and recognition has culminated in her debut release A Social Call, on the revived Prestige label, part of the Concord Music Group.

Personally involved in all aspects of the musician selection and production process, Horn decided on an acoustic small group format, which best presents her clear vocal articulation. The sessions have her voice smoothly integrating into the ensemble, becoming a supple instrument, and a musical extension of the band. Horn will readily admit to having a number of major influences, one being Betty Carter, whose "Tight," opens the set, a straight ahead showcase for her natural scatting, and ability to interact with saxophonist Stacy Dillard. The standard "East Of The Sun (And West Of The Moon)" is performed with the core band, with bassist Ben Williams, and drummer Jerome Jennings supporting pianist Victor Gould, who proves he is the ideal accompanist for this project. The trio shines on the quickened Johnny Mercer classic "I Remember You," and on the title track, Horns' voice transformed into pure bop expression. Adorned with sophisticated trumpet lines from Josh Evans, her rhythmic manipulation of the melody on the tranquil ballad "The Peacocks," captures her signature sound in all its splendor and grace.

The horn section of Evans on trumpet, trombonist Frank Lacy, and saxophonist Dillard, enhance the arrangement of "Up Above My Head," and provide the soulful background for the gospel meets jazz merger "Lift Every Voice And Sing/Moanin." Singing and scatting through moods, styles, and tempos, with inherent ease, Horn appears to enjoy the challenges in musical diversity. The standout three part medley "Afro Blue/Eye See You/ Wade In The Water," begins with Jennings on African percussion, while Horn improvises exotic incantations and nuances, leading into the lyrics. The middle section of "Eye See You," is a spoken word social commentary on conditions in the African-American experience; and the hymn "Wade In The Water," represents a soothing conclusion, drawing comfort and solace from Horns' gospel roots. In keeping with her contemporary leanings, she re-imagines the R&B hit "I'm Going Down," with a swinging jazz beat and a taste of neo-soul.

Exhibiting an advanced artistic development and confidence associated with more established performers, Jazzmeia Horn exudes an intense sense of purpose, and delivers an outstanding repertoire skillfully suited to her talent. Citing influences and mentors as vital in the process of becoming a musician, Horn was determined to find her own voice, and she has succeeded.

Track Listing: Tight; East of the Sun (And West of the Moon); Up Above My Head; Social Call; People Make the World Go Round; Lift Every Voice and Sing/Moanin’; The Peacocks (A Timeless Place); I Remember You; Medley: Afro Blue/Eye See You/Wade in the Water; I’m Going Down.

Personnel: Jazzmeia Horn: vocals; Victor Gould: piano; Ben Williams: bass; Jerome Jennings: drums, percussion; Stacy Dillard: tenor saxophone; Josh Evans: trumpet; Frank Lacy: trombone.

Title: A Social Call | Year Released: 2017 | Record Label: Prestige Records

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Date Detail Price
Jan17Thu
7:30 pm
Jazzmeia Horn
Lyell B Clay Concert Theatre - WVU
Morgantown, WV
Jan19Sat
8:00 pm
Jazzmeia Horn Septet
Wortham Theater Center
Houston, TX
$42.50-67.50

Related Articles

Read Fred Hersch Trio '97 @ The Village Vanguard CD/LP/Track Review
Fred Hersch Trio '97 @ The Village Vanguard
by Doug Collette
Published: December 13, 2018
Read An Ayler Xmas Volume 2 CD/LP/Track Review
An Ayler Xmas Volume 2
by Mark Corroto
Published: December 13, 2018
Read The Forest from Above CD/LP/Track Review
The Forest from Above
by John Eyles
Published: December 13, 2018
Read Imaginary Band CD/LP/Track Review
Imaginary Band
by Glenn Astarita
Published: December 13, 2018
Read Night CD/LP/Track Review
Night
by Mike Jurkovic
Published: December 13, 2018
Read I Always Knew CD/LP/Track Review
I Always Knew
by Paul Rauch
Published: December 12, 2018
Read "Presence" CD/LP/Track Review Presence
by Dustin Mallory
Published: September 9, 2018
Read "Electric Miles" CD/LP/Track Review Electric Miles
by Mark Corroto
Published: August 31, 2018
Read "Hidden Details" CD/LP/Track Review Hidden Details
by Mike Jurkovic
Published: October 15, 2018
Read "Brothers" CD/LP/Track Review Brothers
by Dan Bilawsky
Published: September 24, 2018
Read "Eleven" CD/LP/Track Review Eleven
by Henning Bolte
Published: March 1, 2018
Read "What’s to Come" CD/LP/Track Review What’s to Come
by C. Michael Bailey
Published: April 28, 2018