Home » Jazz Articles » New York Beat » 92nd Street Y Jazz in July: The Music of Clifford Brown

2

92nd Street Y Jazz in July: The Music of Clifford Brown

By

View read count
The Y's Jazz in July programing this summer included an evening celebrating the music of Clifford Brown on July 23rd—a treat for me as it was one of the few such tributes I've seen since Oxford U. published my biography of Brownie over a decade ago. The production included a panorama of Brownie photos projected onto the stage's big screen and some knowledgeable commentary from the series' director Bill Charlap.

The musical aggregation amassed for the evening included trumpeters Jeremy Pelt, Warren Vache, and Joe Magnarelli. The rhythm section featured the Washington boys Peter on bass and Kenny on drums. Charlap and his keyboard directed matters and new singing phenom Veronica Swift supplied the vocals.

The production was comprehensive with Clifford Brown compositions and recordings well represented; Such Brownie standards as "Joy Spring," "Daahoud," "Sandu," "Gerkin for Perkin," and "Blues Walk" were featured and the packed audience was treated to selections not heard in these parts for a while. The trumpet trio worked well although a tenor sax and two horns might have provided greater authenticity in capturing the Clifford Brown—Max Roach imprimatur. The horn players played the Heads with confident aplomb and their improvisations were evocative of the hard bop magic that Brownie engineered over 60 years ago. The Washington rhythming was delivered with the usual understated authority and Charlap's comping and improvs provided a highlight for this writer. Swift's vocals were outstanding. The young star continues to increase her performance weaponry and delivers lyrics with the power of a jazz veteran. I was hoping for the inclusion of Sonny Rollins's tune "Pent-Up House" (Swift's Mom, jazz star Stephanie Nakasian wrote memorable Lyrics) which was recorded in the last session before Brownie's tragic demise in 1956.

The Jazz in July series continues to feature some of Gotham's most thoughtful jazz programming and, hopefully, Charlap and company can continue their masterful run.

About Clifford Brown

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Jazz article: Eric Reed Quartet at Smoke
Jazz article: Voices of Mississippi at Jazz at Lincoln Center
Jazz article: The Mingus Big Band at The Django

Popular

HIDDEN GEMS

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.