All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Sting and Shaggy: 44/876

Nenad Georgievski By

Sign in to view read count
Every summer needs its soundtrack, i.e.—a song or an album full of songs that will remind people that it's good to be alive. The summer is the time to feel good and it has to have its music that would reflect the fun and mischievous behavior that you would remember the summer by. And on this duet record between pop star Sting and dancehall star Shaggy, titled 44/876, a potent cocktail of timeless Caribbean styles come together in a full-scale tropical explosion, colorful, playful, and above all, a good time. What initially began with Sting singing backing vocals on a song for a Shaggy's album soon became good fun and easy rapport that prompted both parties to record a full album together.

44/876 is in contrast with Sting's previous record, 57th and 9th (A&M/Interscope, 2016), which was a classic Post-Police record that emphasized Sting's songwriting mastery. It was colored in the hues of rock music and was a return to form. On the other hand, 44/876 emphasizes Sting's life-long love affair with reggae and ska music that began with the songs from his band The Police. Throughout his illustrious career, many of Sting's songs were influenced by the music from the Caribbean among other styles of music like "Love is The Seventh Wave" and "Englishmen in New York."

On the other hand, that influence wasn't a one way street, as over the years, many musicians from Jamaica paid tribute to Sting's music by covering his songs with the Police, as heard on compilations such as Reggatta Mondatta: Reggae Tribute Album to The Police (Ark 21, 2000) and Spirits In The Material World: A Reggae Tribute To The Police, (Shanachie, 2008.) These songs weren't covered by anonymous musicians but by leading artists from the island from various generations, which showcases the special relationship that exists here.

But Sting can be a master of unlikely musical partnerships. His inclination for sharing the spotlight knows no genre-bounds, ranging from singers Cheb Mami, Craig David to lutist Edin Karamazov or guitarist Eric Clapton.

Produced by Shaggy's longtime producer Sting International and Sting's manager Martin Kierszenbaum, this record is both propelled and colored by an interesting and diverse selection of musicians. As a result 44/876 is a swirl of diverse Jamaican styles, sounds, and themes that bring out the summer festive feel. Highlights are copious. From the opener, the title song, until the closing "Night Shift," the songs are full of pulsating and infectious beats, funky grooves that pair with sweet and playful melodies.

All in all, this record fully exhibits the upsides what can happen when two great musicians from entirely different backgrounds unite in the name making music together. Love is still the seventh wave.

Track Listing: 44/876 (ft. Morgan Heritage and Aidonia); Morning Is Coming; Waiting For The Break Of Day; Gotta Get Back My Baby; Don’t Make Me Wait; Just One Lifetime; 22nd Street; Dreaming In The U.S.A.; Crooked Tree; To Love And Be Loved; Sad Trombone; Night Shift.

Personnel: Sting: vocals, bass, keyboards; Shaggy: vocals; Dominic Miller: guitars; Sting: bass, drums, production; Martin Kierszenbaum: percussion, keyboards, piano, production; Dwayne "iLL Wayno" Shippy: keyboards, arrangements; Steven "Lenky" Marsden: keyboards; Clark Gayton: trombone; Geoffrey Keezer: piano; Robert “Robbie” Shakespeare: bass; Maggie Buckley: saxophone, flute.

Title: 44/876 | Year Released: 2018 | Record Label: A&M Records


Related Video

comments powered by Disqus

CD/LP/Track Review
Read more articles


A&M Records


Related Articles

Read Why Not CD/LP/Track Review
Why Not
by Dan Bilawsky
Published: September 26, 2018
Read Together CD/LP/Track Review
by Jack Bowers
Published: September 26, 2018
Read Blood CD/LP/Track Review
by Glenn Astarita
Published: September 26, 2018
Read Presence CD/LP/Track Review
by Mike Jurkovic
Published: September 26, 2018
Read Lab 2018, The Rhythm of the Road CD/LP/Track Review
Lab 2018, The Rhythm of the Road
by Jack Bowers
Published: September 25, 2018
Read Live CD/LP/Track Review
by Mike Jurkovic
Published: September 25, 2018
Read "What What" CD/LP/Track Review What What
by Mark Corroto
Published: March 2, 2018
Read "Rome" CD/LP/Track Review Rome
by Victor L. Schermer
Published: November 15, 2017
Read "Submerged" CD/LP/Track Review Submerged
by Karl Ackermann
Published: November 9, 2017
Read "Night Concert" CD/LP/Track Review Night Concert
by Chris Mosey
Published: July 12, 2018
Read "Anniversary Package; Lab 2017" CD/LP/Track Review Anniversary Package; Lab 2017
by Jack Bowers
Published: December 24, 2017
Read "Safety Signal From A Target Town" CD/LP/Track Review Safety Signal From A Target Town
by Glenn Astarita
Published: June 10, 2018