Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

43

Tim Berne's Snakeoil: You’ve Been Watching Me

Karl Ackermann By

Sign in to view read count
In the course of his long and prolific career, alto saxophonist/composer Tim Berne has been more of a musical agitator than a mediator. While that's a positive characteristic of Berne's creative process, it is also a demanding one for all concerned. Berne's tenure with ECM, however, has been marked by a more pronounced move toward balancing restorative musical properties to juxtapose very complex structures. The result of Berne's continued growth is You've Been Watching Me, a high point of his compositional achievements to date.

As on his two previous ECM leader dates with Snakeoil—the self-titled debut (2012) and Shadow Man (2013)—Berne's cohort includes Oscar Noriega on clarinets, Matt Mitchell on piano and Ches Smith on various and sundry percussion. An addition to the original quartet is guitarist Ryan Ferreira. The Eastman School of Music graduate adds an ethereal, liquid quality that belies his early heavy-metal influences.

"Lost In Redding" opens with all hands on deck, creating a carnival-like atmosphere before abruptly switching gears and turning the proceedings over to Noriega. His bass clarinet solo alternates between single tones and more musical structures, eventually giving way to a series of solos from the rest of the group. Mitchell's keys are augmented by Smith's light but decisive propulsion providing the transition to the reeds retaking the piece, slowly building back to the calamitous level of the opening. "Small World In A Small Town" may be most ambitious composition Berne has created. Beginning as a duet between Berne and Mitchell, the slow pace allows the articulation to stand out clearly. Taking on suite-like qualities, Noriega (at almost ten-minutes in) adds lyrical, classically influenced themes then almost imperceptibly shifts to a subtle Middle-Eastern melody accompanied by a rock beat as the reeds patiently build to a crescendo. The scope of the piece is epic; the music mesmerizing.

"Embraceable Me" and "Angles" are darker in tone, the former beginning as a deep, rumbly free-for-all that is both cinematic and discordant but taking a haunting turn that carries over to the dark, foreboding "Angles." Ghostly intensity and unbalanced harmonies give an aesthetic tension to the music; Ferreira and Mitchell often conjuring color and texture just out of obvious earshot. The set concludes with "False Impressions" and—like "Small World In A Small Town"—changing themes, tempos and modulation create a labyrinth of movements.

Produced and mixed by ECM label-mate and past colleague, guitarist David Torn, You've Been Watching Me represents another forward-looking development for Berne and Snakeoil. The quintet works in various breakout formations adding to the variety of textures and sounds. There's an openness in this setting that adds depth and drama to the improvisations that weave through the arrangements. Berne's music has never been anything less than challenging, but here it is broader and more accessible without sacrificing edginess; You've Been Watching Me is a major achievement in Berne's portfolio.

Track Listing: Lost In Redding; Small World In A Small Town; Embraceable Me; Angles; You've Been Watching Me; Semi-Self Detached; False Impressions.

Personnel: Tim Berne: alto saxophone; Oscar Noriega: bass, clarinets; Ryan Ferreira: guitars; Matt Mitchell: piano, electronics; Ches Smith: drums, vibraphone, percussion, timpani.

Title: You’ve Been Watching Me | Year Released: 2015 | Record Label: ECM Records

Tags

comments powered by Disqus

Album Reviews
Live Reviews
Album Reviews
General Articles
Album Reviews
Live Reviews
General Articles
Live Reviews
Album Reviews
Read more articles
Incidentals

Incidentals

ECM Records
2017

buy
You’ve Been Watching Me

You’ve Been...

ECM Records
2015

buy
 

Hammered

Clean Feed Records
2013

buy
Shadow Man

Shadow Man

ECM Records
2013

buy
 

Small Places

JazzMa Records
2012

buy

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Come And Stay With Me: The UK 45's 1964-1969 Album Reviews
Come And Stay With Me: The UK 45's 1964-1969
By Doug Collette
January 19, 2019
Read Beggars Banquet 50th Anniversary Edition Album Reviews
Beggars Banquet 50th Anniversary Edition
By Doug Collette
January 19, 2019
Read Circuits Album Reviews
Circuits
By Sammy Stein
January 19, 2019
Read MPS: 50 Years Album Reviews
MPS: 50 Years
By Chris M. Slawecki
January 19, 2019
Read East Of The Sun Album Reviews
East Of The Sun
By David A. Orthmann
January 18, 2019
Read Kresten Osgood Quintet Plays Jazz Album Reviews
Kresten Osgood Quintet Plays Jazz
By Mark Corroto
January 18, 2019
Read Rhythm Kaleidoscope Album Reviews
Rhythm Kaleidoscope
By Troy Dostert
January 18, 2019