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Matt Mitchell
Born:
Matt Mitchell is a pianist and composer interested in the intersections of various strains of acoustic, electric, composed, and improvised new music. He currently composes for and leads several ensembles featuring many of the current foremost musicians and improvisers, including Tim Berne, Kim Cass, Kate Gentile, Ben Gerstein, Jon Irabagon, Travis Laplante, Ava Mendoza, Miles Okazaki, Ches Smith, Chris Speed, Tyshawn Sorey, Chris Tordini, Anna Webber, Dan Weiss. He is an anchor member of several significant creative music ensembles which integrate composed and improvised music, including Tim Berne’s Snakeoil, the Dave Douglas Quintet, John Hollenbeck’s Large Ensemble, Dan Weiss’s Starebaby, Jonathan Finlayson’s Sicilian Defense, Steve Coleman’s Natal Eclipse, Kate Gentile’s Mannequins, Mario Pavone’s Blue Dialect Trio, Anna Webber’s Simple Trio, Ches Smith’s We All Break, the Dave King Trio, and Quinsin Nachoff’s Flux
Purposing the Air
Label: Pyrolastic Records
Released: 2025
Track listing:
CD 1:
Fay Victor & Mariel Roberts: Koan 28; Koan 13; Koan 55; Koan 15; Koan 47; Koan 11; Koan 18; Koan 37; Koan 12; Koan 38; Koan 46; Koan 39; Koan 43; Koan 35; Koan 58.
Sara Serpa & Matt Mitchell: Koan 5; Koan 3; Koan 7; Koan 48; Koan 29; Koan 42; Koan 31; Koan 36; Koan 49; Koan 25; Koan 56; Koan 17; Koan 6; Koan 20; Koan 9.
CD 2:
Koan 8.
Theo Bleckmann & Ben Monder: Koan 23; Koan 10; Koan 24; Koan 30; Koan 32; Koan 33; Koan 45; Koan 40; Koan 14; Koan 59; Koan 60; Koan 53; Koan 51; Koan 54.
Rachel Calloway & Ari Streisfeld: Koan 1; Koan 34; Koan 22; Koan 19; Koan 26; Koan 21; Koan 57; Koan 27; Koan 41; Koan 50; Koan 52; Koan 44; Koan 2; Koan 16; Koan 4.
Yuhan Su: OVER the MOONs
by Jerome Wilson
It turns out that Patricia Brennan is not the only vibraphonist exploring ambitious concepts these days. On this album, Yuhan Su brings the idea of dual consciousness into music, with the musicians in her group often playing along two separate paths simultaneously. Su was born in Taiwan and is now based in New ...
Server Farm
By Jon Irabagon
Label: Irrabagast
Released: 2025
Track listing: Colocation; Routers; Singularities; Graceful Exit; Spy.
Blight Music
By Sam Ospovat
Label: Eclipse Music
Released: 2025
Track listing: The Sower; Blight Music; The Sky above the Port; Salvador Dahl; Schu-Schu; American Talent; Deep Contractions
End of Something
By Sara Serpa
Label: Obliquity Records
Released: 2025
Track listing: News Cycle 4:29; Diction 4:07; Hyper Pathos 5:08; The Future 4:00; Trouvaille 2:49; Les Bergers 3:54; Gluey
Clamor 3:07; Carry You Like a River 6:39; Fettleau 1:59; Elegiac Foldouts 2:52; Ar e Vento 3:07; Tooth
Helmet 2:32; End of Something 2:50; Dead Spirits 1:58; Hypo Bathos 5:39
OVER the MOONs
By Yuhan Su
Label: Endectomorph Music
Released: 2025
Track listing: Pieces Peace; Tomorrow; Two Moons; Roaring Hours; Olfactory Memory; Genius and Dumb;
Double Consciousness; Too Much Time Matching Clouds.
Gregg Belisle-Chi: Slow Crawl: Performing the Music of Tim Berne
by Giuseppe Segala
Il rapporto di Gregg Belisle-Chi con la musica di Tim Berne è stretto. Ne avevamo conosciuto gli ampi legami nel primo volume dedicato alle composizioni del sassofonista, Koi: Performing the Music of Tim Berne, uscito nel 2021. Poi nella pubblicazione in duo di Mars e Zone One dell'anno successivo, e in quella di Yikes Too, edito ...
Lingyuan Yang: Cursed Month
by Glenn Astarita
Lingyuan Yang emerges from the shadows of New York's experimental jazz scene with his debut album, Cursed Month. This seven-track odyssey channels the unlucky lunar phases of Chinese astrology into a sonic tempest. Released in 2025 on Chaospace Records, this trio effort features Yang on guitar and electronics, Shinya Lin on piano, and Asher Herzog on ...
Patricia Brennan: Of the Near and Far
by John Sharpe
Vibraphonist Patricia Brennan continues to redefine her creative horizons on Of The Near And Far, a fourth leadership date that expands her sonic blueprint without tempering the imagination that has marked her rise. Each of its predecessors has been completely different, from the horn-rich Breaking Stretch (Pyroclastic, 2024), to the percussion-centered More Touch (Pyroclastic, 2022), to ...
