If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
William Parker is, no doubt, the most remarkable bassist in the post-Mingus era. A great musician who is gifted with an uncanny ability to make any artist near himmusician, dancer, painter or poetperform better. Parker presents a musical vision that is full with compassion and commitment to his community at large.
William Parker began his European tour in the Tel Aviv Jazz Festival, performing with Roy Campbell Jr.'s Pyramid Trio. Parker and drummer Hamid Drake recorded a trio album in Tel Aviv with Israeli saxophonist Albert Beger, and Parker performed with his daughter, dancer Miriam, who resides in Tel Aviv. On his tour he will play in a trio with Matthew Shipp and drummer Gerald Cleaver, with his Violin Trio alongside Billy Bang and Sunny Murray, and in a duo with bassist Joëlle Léandre. The interview was conducted in Tel Aviv.
I love jazz because is intense, human, creative.
I was first exposed to jazz by Bitches Brew a Miles Davis record.
The best show I ever attended was Michael Brecker Quartet with Joey Calderazzo, James Genus and Jeff Tain Watts at Punta del Este Jazz Festival.
The first jazz record I bought was Heavy Weather by Weather Report.