Home » Jazz Articles » Album Review » Miles Davis: Water Babies
Miles Davis: Water Babies
When Water Babies was recorded in 1967 and 1968, Miles Davis had with him one his best working units. His and Wayne Shorter’s compositions allowed for soothing impressionism without losing sight of straight-ahead jazz. Changes would come later. Here, we find Davis and Shorter sharing their clear tonal concepts through wide-open horns and timeless, acoustic moods. In June 1967, the band’s round sound included Herbie Hancock on acoustic piano. By November 1968, the switch was made to electric piano. To capture the album’s mood, Hancock and Chick Corea expressed the instrument with a water lily kind of gentle touch. Spare and lyrical, the music brings relaxed delight with every listen. Added to this reissue is “Splash,” a funky affair that was originally issued on a different album in a slightly different form. Here, the two-keyboard introduction is included, and the song’s connection to “Dual Mr. Anthony Tillmon Williams Process” cannot now be overlooked. Taken together, the final two tracks signal a change was then about to take place in the Miles Davis ensemble sound.
The album’s liner notes include a thorough, biographical essay by James Isaacs with insight that makes the package even more valuable. Water Babies is a collector’s item that continues to capture our imaginations with every listen.
Track Listing
Water Babies; Capricorn; Sweet Pea; Two Faced; Dual Mr. Anthony Tillmon Williams Process; Splash.
Personnel
Miles Davis
trumpetMiles Davis- trumpet; Wayne Shorter- tenor saxophone; Herbie Hancock- piano, electric piano; Chick Corea- electric piano; Ron Carter, Dave Holland- bass; Tony Williams- drums.
Album information
Title: Water Babies | Year Released: 2002 | Record Label: Columbia Records
About Miles Davis
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






