Home » Jazz Articles » Album Review » Pago Libre: Wake Up Call - Live in Italy
Pago Libre: Wake Up Call - Live in Italy
This band swings remarkably hard as a drummer-less Quartet, which is evident from the opening moments of Tscho Theissing’s composition titled, “Wake Up Call”. On this piece, bassist Daniele Patumi implements a rapid walking bass line as cunning dialogue ensures between pianist John Wolf Brennan and violinist Tscho Theissing along with a soft and sonorous interlude provided by the always astounding french hornist, Arkady Shilkloper. These compositions are constructed around strong themes that often bridge the gap between classicism, free-improv and straight-ahead mainstream jazz. Shilkloper’s composition, “Synopsis” boasts gorgeous melodies and equally captivating soloing by the composer while Brennan’s “Kabak” commences with a virtuoso solo performance by violinist, Tscho Theissing who states and improvises the subsequent or ensuing underlying theme. The final piece, Shilkloper’s “Kobra” features highly charged jazzy riffs atop Patumi’s walking bass line, as these musicians turn up the heat while generating excitement and creating quite a bit of impact, especially for an all acoustic band. In summary, Wake Up Call is brimming with excitement, a dash or two of melodrama, and suspense while ultimately displaying their respective musical gifts for the audience in attendance and now, for the entire world to hear! Here, word association may suggest..........Stunning, Masterful, Illustrious and Articulate while displaying verve and class along the way! * * * * *
Personnel
Tscho Theissing; Violin, Voice: Arkady Shilkloper; French Horn, Flugelhorn: John Wolf Brennan; Piano, Melodica: Daniele Patumi; Double Bass.
Leo Records: www.atlas.co.uk/leo records/
John wolf Brennan
Album information
Title: Wake Up Call - Live in Italy | Year Released: 2000 | Record Label: Leo Records
About Pago Libre
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





