2

Albert Castiglia: Up All Night

Doug Collette By

Sign in to view read count
Make no mistake, the ambiguity in the title of bluesman guitarist/composer Albert Castilglia's seventh album, Up All Night, is a positive attribute. Because as much as he trades in the tried and true of the blues, as on the rough-and-tumble, "Hoodoo On Me," he manages to imprint a personal stamp on what he does.

On the opener of this album, for instance, his gruff voice and gristly guitar bring the sentiment so close to home, it all becomes personal. Likewise this title song which, while it follows traditional blues structure, emits no sense Castiglia's simply doing what he thinks is correct, but what he is deeply moved to play and sing. Mike Zito's production, mixing and mastering ensures the recordings resonate as deeply in sonic terms as in emotional ones, so bassist Jimmy Pritchard's instrument penetrates the mix even as it maintains its proportion with the sounds of drummer Brian Menendez' kit.

The subtle touches of Lewis Stephens' keyboards, like the rollicking piano on a double-entendre-laden "Chase Her Around the House," hardly intrude on the basic instrumental trio format any more than Johnny Sansone's harmonica on the number written with Cyril Neville, "Unhappy House of Blues" or the deliciously "Delilah." Meanwhile, it might go without saying that Sonny Landreth's slide playing, as featured on "95 South," adds an element of distinction, but this modern expert at that technique deserves the recognition: he injects a sense of abandon and unpredictability this music otherwise might not evince so emphatically.

Because Albert Castiglia radiates a certain measure of self-consciousness about what he does-just one iota of self-restraint would enhance his credibility-the sense of humor with which he imbues a track like "Three Legged Dog" (and this album's comical cover image) becomes his saving grace. A composition of the producer's, "Quit Your Bitching," is tongue-in-cheek too, but only partly so, and thus becomes all the more listenable for its double meaning(s). And that cut derives extra force from its juxtaposition with the proportionately direct message within "Woman Don't Lie." Castiglia's guitar playing is equally pointed on both.

While much of Up All Night is upbeat, electric blues on the order of "Knocked Down Loaded," when the eleven tracks conclude with the more reflective likes of the acoustic-guitar driven "You Got Me to That Place," the album solidifies as a whole unto itself; Castiglia's days of touring with Junior Wells serve him honorably in knowing well how to punctuate a solo and set of material, eight of which songs Albert wrote or collaborated on here. The end result is a durable, consistent set of contemporary blues that reflects well on its Louisiana recording site and all involved in its writing, playing, recording and production.

Track Listing: Hoodoo On Me; I Been Up All Night; Three Legged Dog; 95 South; Knocked Down Loaded; Quit Your Bitching; Woman Don't Lie; Unhappy House Of Blues; Delilah; Chase Her Around The House; You Got Me To That Place.

Personnel: Albert Castiglia: guitar, lead vocals; Sonny Landreth: slide guitar; Mike Zito: guitar, vocals; Johnny Sansone: harp; Lewis Stephens: keyboards; Jimmy Pritchard: bass; Brian Menendez: drums.

Title: Up All Night | Year Released: 2017 | Record Label: Ruf Records

About Albert Castiglia
Articles | Calendar | Discography | Photos | More...

Tags

Watch

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related

Read Cause and Effect
Cause and Effect
By Ian Patterson
Read Geschmacksarbeit
Geschmacksarbeit
By John Eyles
Read Emergence
Emergence
By Geannine Reid
Read Never More Here
Never More Here
By Dan McClenaghan
Read Lanzarote
Lanzarote
By Gareth Thompson
Read Strong Thing
Strong Thing
By Geannine Reid
Read Ocean in a Drop
Ocean in a Drop
By Geno Thackara