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The thing that first struck me about this fine recording was the concrete accompaniment provided Ms. Ryan. Solid, effortless swing is what propels this veteran vocalist through This Heart of Mine. The high quality of this swing, which I credit to crack arranging, is that much more a surprise when considering that the arrangements on this recording were very much a concerted effort. All are uniformly fine, but I must tip my hat to pianist Jon Meyer for his astute direction on the title cut, Truman Capote’s, “Sleepin’ Bee” (with the superb Ernie Watts) and “Maybe September,” where the keyboardist achieves a perfect balance between high, feather-light solos and Ms. Ryan’s dense and smoky timbre.
Ms. Ryan is no novice in the arrangement department either. “Estate,” arranged with Amina Figarova, is set beautifully with Toots Thielmans harmonica. An additional kick is that it is sung in the original Italian, again beautifully. If Italian was not enough, Ms. Ryan knocks down Jobim’s “Anos Dourados” in the original Portuguese, and “Sari” in the original Surinamese. All are beautiful and convey the lyrics, while those lyrics may be incomprehensible. Ms. Ryan could more than likely make German sound divine.
The disc highlight has to be the Duke Ellington/Ben Webster “Jump For Joy,” sounding 1920s and 2020s at the same time. Allen Smith’s muted trumpet lends an almost Vaudeville feel to the song, while John Eiitala’s bass keeps everything very modern (almost post-modern). It is this type of universal musicianship that makes recordings like This Heart of Mine shine.
Track Listing: This Heart Of Mine; Sleepin Bee; Estate; East Of The Sun; Jump For Joy; Make It Last; Anos Dourados; Maybe September; When I Grow Too Old To Dream; Moon And Sand; Come Back To Me/Lover Come Back To Me; Sari; Velas Icadus; Seasons Of The Heart.
Personnel: Jackie Ryan- Vocals; Amina Figarova, Jon Mayer, Leonard Thompson- Piano; Ruth Davies, Darek Oles, John Witala- Bass; Omar Clay, Jason Lewis, Roy Mccurdy- Drums; Bart Plateau- Flute; Allen Smith- Trumpet; Ernie Watts- Tenor Saxophone; Steve Erquiaga- Guitar On
Year Released: 2004
| Record Label: OpenArt
| Style: Vocal
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.