Home » Jazz Articles » Album Review » Charlie Haden: The Private Collection
Charlie Haden: The Private Collection
The two dates feature bands that are basically Haden's bebop-focused Quartet West, along with a pair of superb guest drummers: longtime cohorts Billy Higgins (on disc one) and Paul Motian (on disc two). The set lists reflect Haden's broad range and musical accomplishments from classic jazz to the more avant-garde, including three tunes each by Charlie Parker and Pat Metheny, one by his old boss Ornette Coleman (a stirring 22-minute take on "Lonely Woman") and even a stab at some Bach "Etudes."
Whatever the song or style, the two bands are in exceptional form, never losing control or focus on the more whirlwind numbers, while mining all the emotional heft from ballads like the evergreen "Body and Soul." The underappreciated saxophonist Ernie Watts stands out among the stellar cast, providing appropriately dramatic squawks and warbles on the Coleman tune and flying gloriously through the bebop lines on the Bird numbers. The classy pianist Alan Broadbent is in top shape, too, as are the two drummers, with Higgins playing the somewhat more aggressive role and Motian excelling on the quieter tunes. For his part, Haden's bass playing is melodic, on the money and occasionally cheeky, as when he inserts an extended Country-Western quote into his solo on "Lonely Woman," a sly nod to his early days singing country music on the radio with his family.
Track Listing
CD1: Hermitage; Passport; Misery; Nardis; Segment; Farmer's Trust; Etudes. CD2: Bay City; Farmer's Trust; Lonely Woman; Silence; Body & Soul; Lisa.
Personnel
Charlie Haden
bass, acousticCharlie Haden: bass; Alan Broadbent: piano; Ernie Watts: saxophones; Billy Higgins: drums (CD1); Paul Motian: drums (CD2).
Album information
Title: The Private Collection | Year Released: 2008 | Record Label: Naim Label
About Charlie Haden
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







