Home » Jazz Articles » Album Review » Arturo O'Farrill: The Noguchi Sessions
Arturo O'Farrill: The Noguchi Sessions
Noguchi, who worked as a "sculptor, painter, draftsman, and designer of everything from household goods to large public spaces," never bought into the idea of labeling or strict categorization. His work reflected his own personality and he found comfort in juxtaposing the refined against the raw. O'Farrill found much to admire in both of those ideals, which manifest themselves in this music.
Rhapsodic passages, rubato-laden episodes and racing runs intersect frequently during this journey, as O'Farill performs original music and explores the work of such odd bedfellows as Ernesto Lecuona, Stephen Foster, Randy Weston and Charles Mingus. Several of the early original entries on the program, like "The Sun At Midnight" and "In Whom," come off as queries of musical curiosity, as O'Farrill searches for answers embedded within the keys. This music uses uncertainty as a communicative device, but O'Farrill is more emphatic in other places. He proudly displays his Cuban roots on "Siboney," mines Weston's "Little Niles" for all it's worth and puts on his best display of parlor playing on Mingus' "Jelly Roll."
While O'Farrill's ever-moving work holds interest throughout, he saves the best for last. The flawless foursome that closes out the albumthe gliding "Mi Vida," spicy "Obsesion," ruminative-turned-spirited "Oh Danny Boy" and jovial "Jelly Roll"demonstrates the scope of his talent as a solo pianist. O'Farrill need not have waited to so long to work in this fashion. It appears to suit him well.
Track Listing
The Sun At Midnight; O' Susanna; In Whom; Little Niles; The Delusion Of The Greedy; Siboney; Alisonia; Once I Had A Secret Meditation; Mi Vida; Obsesion; Oh Danny Boy; Jelly Roll.
Personnel
Arturo O'Farrill
pianoArturo O'Farrill: piano.
Album information
Title: The Noguchi Sessions | Year Released: 2012 | Record Label: Zoho Music
About Arturo O'Farrill
Tags
PREVIOUS / NEXT
Arturo O'Farrill Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






