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Randy Weston

After contributing six decades of musical direction and genius, Randy Weston remains one of the world's foremost pianists and composers today, a true innovator and visionary. Encompassing the vast rhythmic heritage of Africa, his global creations musically continue to inform and inspire. "Weston has the biggest sound of any jazz pianist since Ellington and Monk, as well as the richest most inventive beat," states jazz critic Stanley Crouch, "but his art is more than projection and time; it's the result of a studious and inspired intelligence...an intelligence that is creating a fresh synthesis of African elements with jazz technique". Randy Weston, born in Brooklyn, New York in 1926, didn't have to travel far to hear the early jazz giants that were to influence him

ARTICLE: RADIO

Highlights of Jazz in the Late 1990s (1995 - 1999)

Read "Highlights of Jazz in the Late 1990s (1995 - 1999)" reviewed by Russell Perry

This is the 96th of 100 programs in the Jazz at 100 series. As we present more recent music, we face the historian's dilemma, what performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? We are following the lead of critic ...

Riverside Records: An Alternative Top Ten

Read "Riverside Records: An Alternative Top Ten" reviewed by Chris May

From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...

Hard Bop: An Alternative Top Ten

Read "Hard Bop: An Alternative Top Ten" reviewed by Chris May

Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun—but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...

ARTICLE: ALBUM REVIEW

University of Toronto Jazz Orchestra: Embargo

Read "Embargo" reviewed by Jack Bowers

Talk about setting the bar high: on an album designed to showcase the talents of students in Professor Terry Promane's classes on arranging, the University of Toronto Jazz Orchestra's music director, Gordon Foote, chose to open Embargo with Rob McConnell's classic arrangement of the Billy Strayhorn warhorse, “Take the 'A' Train," thus giving the undergrads a ...

ARTICLE: UNDER THE RADAR

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann

Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

ARTICLE: UNDER THE RADAR

The New Golden Age of Jazz Radio

Read "The New Golden Age of Jazz Radio" reviewed by Karl Ackermann

There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...

ARTICLE: ALBUM REVIEW

Cheik Tidiane Seck: Timbuktu: The Music of Randy Weston

Read "Timbuktu: The Music of Randy Weston" reviewed by Chris May

A well-intentioned tribute to the late pianist, composer and pioneer of Maghrebi jazz Randy Weston by the keyboard player Cheikh Tidiane Seck, Timbuktu: The Music of Randy Weston never really gets off the ground. Seck, whose c.v. includes spells with Mali's Super Rail Band de Bamako, Les Ambassadeurs, Salif Keita and Amadou & Mariam, and Senegal's ...

ARTICLE: INTERVIEW

Monty Alexander: Still Rolling

Read "Monty Alexander: Still Rolling" reviewed by Geno Thackara

If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...

The Creative Musicians Improvisers Forum: New Haven's AACM

Read "The Creative Musicians Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero

The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...


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