Home » Jazz Articles » Album Review » Lisa Hoppe's Third Reality: The Mighty Unlikely
Lisa Hoppe's Third Reality: The Mighty Unlikely
So here is The Mighty Unlikely, skillfully employing the boisterous and like-minded antics of alto saxophonist David Leon and guitarist Tal Yahalom to jump, without a net, into a music abounding with curiosity for the classical of yesteryear and the urban recklessness of today's millennials. Scratching into existence with Hoppe's seesawing, "Les Orielles" wavers into space as Yahalom's guitar picks a hypnotic, circular pattern, and Leon's horn solos like an orchestra. Hoppe intros "Extraterrestrials Calling Home" with a deep, popping persistence, while Yahalom crunchily anchors the tune for more of Leon's obvious zeal for participatory hijinks.
Utilizing someone's mumbling conversation, "Jakubian" wanders within itself, not because of any preset margins, mind you, but simply because that is how the trio feels about it. "The Weirdness of You" comes off like some odd ghost of Tin Pan Alley. In its brief two-minutes-and-twenty-seven seconds, "Progress Is Rushing In" breaks out with a circus revelry, only to sharply turn to rhythmic handclaps urging Leon's free blowing. Splitting her life between her native Germany and adopted Brooklyn must give Hoppe lots of travel time to compose her free-as-a-bird compositions. And there's an undeniable, enviable freedom to that. This is how Hoppe hears it and feels it, composes it and performs it. The Mighty Unlikely makes us all feel free.
Track Listing
Les Orielles; Extraterrestrials Calling Home; Jakubian; Procrastination Canon; The Weirdness of You; Progress Is Rushing In; 8 Hungry Birds & A Sick Weasel; Material Reality; You Don't Know (What Love Is).
Personnel
Lisa Hoppe
bass, acousticDavid Leon: Alto saxophone; Lisa Hoppe: Bass; Tal Yahalom: guitar.
Album information
Title: The Mighty Unlikely | Year Released: 2020 | Record Label: JazzHausMusik
About Lisa Hoppe
Tags
PREVIOUS / NEXT
Lisa Hoppe Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







