Home » Jazz Articles » Album Review » Evidence: The Message
Evidence: The Message
It would be pointless to indicate the specific quality of the music since Doyle and trumpeter/flugelhornist Chris Lawrence spin some tuneful melody lines and solos without taking a great deal of your time. The average length of these dozen tracks is three to four minutes with the exception of the Coltrane-esque "This" and "Hal," a tribute to pianist Hal Galper. What that means is the solos are cool, economical and lyrical. Further taking part in Evidence are keyboardist Steve Talaga, bassist Tom Lockwood, drummer Fred Knapp and percussionist Rob Mulligan.
Doyle was a New Yorker who got his musical education there. He moved to Michigan from New York in 1997 with lots of enthusiasm after his work in the Big Apple with jazz players including Donald Byrd, David Liebman, Branford Marsalis and Barry Harris. Although the group has two previous albums and has appeared in live concerts on Michigan television, the strongly presented The Message is likely not being heard beyond a very limited area.
Track Listing
The Message; Sun Samba; This; Lady Rainbow; Bragdocious; Two Lane Landscape; Rogers Park; Hal; The Undefeated; What Can I Do Now; Biting the Apple; Sharing.
Personnel
Evidence
band / ensemble / orchestraMichael S. Doyle: tenor and soprano sax, alto flute, Brazilian whistle; Chris Lawrence: trumpet, flugelhorn; Steve Talaga: piano, Fender Rhodes; Tom Lockwood: acoustic and electric bass; Fred Knapp: drums; Rob Mulligan: percussion.
Album information
Title: The Message | Year Released: 2008 | Record Label: Self Produced
About Evidence
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






