Diana Krall: The Look Of Love

Singing in Spanish, Krall convinces even the crustiest of listeners with her interpretation of "Besame Mucho." She's melting hearts all over the world. The purity of her vocal presence remains a pleasure for every listener. Things just fall into place naturally. Krall's expressive delivery sets her apart from many contemporary jazz singers. Of course, her piano interludes – such as the intricate solo woven into "The Night We Called it a Day" – provide much-needed satisfaction, through their subtle adventure. Krall explores these familiar melodies with wandering right-hand journeys through their harmonic structures. Unfortunately, they're obscured somewhat by the lush string orchestra. With the title track, we're treated to an arrangement that parrots the original. Nostalgia sets in, and Krall honors the tried and true formula. Her piano interlude, while brief, serves to add more sparks of interest to the song.

By interpreting classic love songs, Krall's latest album turns toward romantic interests. The clutter of a large string orchestra, however, obscures the total picture.

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