Home » Jazz Articles » Album Review » Jim Connolly & The Gove County Philharmonic: The Circus ...
Jim Connolly & The Gove County Philharmonic: The Circus Doesn't Stop At Gove
The drummer-less ensemble has a very American sound, which has descended from Aaron Copeland to Gil Evans to Tom Waits. Employing waltzes, polkas, and sentimentalized piano, the music comes from the countryside, a place dense with time. Nothing hurried, nothing flashy is Connolly’s motto. But what many a city dweller mistakes for simplicity is actually brilliance. The ensemble of strings over accordion, piano, and trumpet maybe accounts for the title of the disc. Some shyster has scammed our small Gove County into advancing the Circus’ deposit and as our little Philharmonic plays, the caravan train bypasses our assembled population.
Recorded for trumpeter Jeff Kaiser’s pfMentum label, this very orchestrated music sits beside Nina Rota and Ennio Morricone soundtracks. Kaiser, a leader of the West Coast avant-garde has recorded with Vinny Golia, Eugene Chadbourne, and Michael Vlatkovich. His presence draws experimental fans to this sweet and troubled music. It’s safe to say this disc will remain in heavy rotation on my disc changer for quite some time.
Track List:Yes, I’ve Been To Gove; House Of Cards; Tar Dance; Slocum Goes Slow; Pinocchio; For Maggie; The Circus Doesn’t Stop At Gove; 1,000 MPH Train Wreck.
Personnel
Jim Connolly
tromboneGilles Apap
Album information
Title: The Circus Doesn't Stop At Gove | Year Released: 2000
About Jim Connolly
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






