Home » Jazz Articles » Steve Wilson: Passages

357

Album Review

Steve Wilson: Passages

By

Sign in to view read count
Steve Wilson: Passages
Among some talented peers that would have to include Kenny Garrett and Jon Gordon, Steve Wilson is arguably one of the best alto saxophonists on the scene today. But it goes beyond that, because he has also established a unique approach to the soprano saxophone as well as the flute. Following his four decidedly mainstream affairs for Criss Cross and his first effort for Stretch, Generations, Wilson's sophomore release for Chick Corea's imprimatur is surely his most realized project yet as a leader. Both in his writing and playing, not to mention the company he keeps, Wilson has arrived at a mature and stimulating apex that fulfills the potential that has been evident in his work since his debut in the mid-80s.

. There is much variety to be found here, although Wilson manages to present this well-rounded picture without the whole sounding like a disjointed and patchwork quilt. The three tracks featuring Nicholas Payton cover quite a range in themselves, from the bop-inflected "Turnin' the Corner" to the expansive "Q-B-Rab." The latter starts with a funk groove only to develop into sections of swing and free moments with Payton's trumpet and Wilson's alto exchanging explosive banter.

An agreeable bossa/Latin influence can be felt elsewhere, with Adam Cruz adding percussion to his trap set work. "Song for Anna" features Wilson's pensive flute on a nimble melody, supported beautifully by Bruce Barth's use of a Fender Rhodes electric piano. The Rhodes shows up again for Keith Jarrett's classic "Days and Nights Waiting." The short interludes "Roots and Herbs" and "Wilsonian's Grain" are essentially percussion workouts that create a tasty segue between the other tunes.

The integration of the ensemble is particularly strong, although Wilson gets the lion's share of the solo spotlight. As strapping as his work is throughout, it might have been nice to hear a bit more from Payton and Barth. Regardless, Passages is prime Wilson and bodes well of his staying power and future development as an artist.

Track Listing

Turnin

Personnel

Steve Wilson: alto and soprano saxophones, flute and alto flute, percussion; Nicholas Payton: trumpet (1, 4, 6); Bruce Barth: piano & Fender Rhodes; Ed Howard: bass, Adam Cruz: drums and percussion.

Album information

Title: Passages | Year Released: 2000 | Record Label: Concord Music Group

Post a comment about this album


FOR THE LOVE OF JAZZ
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Tags

More

Cookin’ with Jaws and the Queen: The Legendary...
Eddie "Lockjaw" Davis and Shirley Scott
Warm Up
The Don Rendell / Ian Carr Quintet

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and includes upcoming jazz events near you.