One of the world's most respected and beloved bassists Richard Davis left the grind of New York to teach at the University of Wisconsin in the late 70's. This CD is subtitled "Homage to Diversity," an appropriate description for Davis' music and for his all-embracing approach to life.
As the primary soloist Davis plays arco (bowed) bass on most tunes. In contrast to the generally high-energy feel of his previous records he concentrates mainly on melodic variation. The deep, rich sonority of his instrument becomes a primary message. This CD can also be seen as Davis' personal summary of twentieth century American music with emphasis on soulfulness. Pianist John Hicks accompanies Davis with sensitivity and restraint and contributes concise, apt solos. He is featured on the ballad "Skylark," embellishing it in the spirit of the CD's melodic program. Frank Foster's waltz "Simone" is treated to an extensive workout with Davis and Hicks giving it an extra layer of intensity. Richard Davis, rapper/vocalist, is introduced on C.C. Rider. He will not likely steal the song from Ma Rainey, but for those of us who love Davis we finally get to hear his speaking voice.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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