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Richard Davis

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Richard Davis is an international performing musician and Professor of Bass (European Classical and Jazz), Jazz History and combo improvisation at the University of Wisconsin-Madison. Chicago born, he came to the UW-Madison in 1977 after spending 23 years in New York City establishing himself as one of the world's premier bass players. Downbeat International Critics Poll named him Best Bassist from 1967-74. He has recorded a dozen albums as a leader and 2000 recordings/jingles as a sideman. Some of his performance/recording credits include Sarah Vaughan, Eric Dolphy, Frank Sinatra, Barbra Streisand, Miles Davis Thad Jones/Mel Lewis Band, Dexter Gordon, Ahmad Jamal and a host of other notables. Mr

Album

These Are My Roots: Clifford Jordan Plays Leadbelly

Label: Pure Pleasure
Released: 2021
Track listing: Side One: Dick’s Holler; Silver City Bound; Take This Hammer; Black Betty; The Highest Mountain. Side Two: Goodnight Irene; De Gray Goose; Black Girl; Jolly O The Ransom; Yellow Girl.

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News: Music Industry

The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'

The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'

Jazz history was forged in the rustic Black Forest of Germany in 1968 when Hans Georg Brunner-Schwer launched MPS Records and recorded some of the genre’s seminal artists. Legends like Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson, Dexter Gordon, Freddie Hubbard, The Count Basie Orchestra and George Duke released albums on the prestigious label known for its ...

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News: Recording

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...

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Article: Album Review

Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly

Read "These Are My Roots: Clifford Jordan Plays Leadbelly" reviewed by Chris May


These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...

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Article: Interview

Logan Richardson: To Boldly Go Where No Jazz Has Gone Before

Read "Logan Richardson:  To Boldly Go Where No Jazz Has Gone Before" reviewed by Chris May


In a 2016 interview, jny: Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, ...

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Article: Book Review

Universal Tonality - The Life and Music of William Parker

Read "Universal Tonality - The Life and Music of William Parker" reviewed by Giuseppe Segala


Universal Tonality -The Life and Music of William Parker Cisco Bradley 408 pagine Duke University Press 2021 Ricordiamo bene l'esibizione della Little Huey Creative Music Orchestra, il 31 maggio 1998, al Teatro Nuovo di Verona, menzionata nelle prime righe dell'introduzione di Universal Tonality--The Life and Music of William Parker, ...

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Article: SoCal Jazz

Steve Khan: A Rich Discography and A Priceless Left Hand

Read "Steve Khan: A Rich Discography and A Priceless Left Hand" reviewed by Jim Worsley


The life and times of guitarist extraordinaire Steve Khan stretch through a high volume of evolving chapters that fuse together like the passages of a finely crafted arrangement. An expansive conversation with Khan touched on a variety of memories. Still, this is perhaps the Reader's Digest version of the seventy-three years old musician and composer's remarkable ...

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Article: Building a Jazz Library

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

Read "Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter" reviewed by Chris May


Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.

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Article: Building a Jazz Library

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May


Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...


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