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This Italian trio imparts a cunning and personalized manifesto within the fuzzy area that borders free jazz, jazz-rock and avant-garde musings. The artists' realm of applications and concepts elicit an aura that hovers atop many theme-building episodes, prudently morphing various perspectives into loosely organized structural facets. These components serve as a baseline for both the intricately stylized or hard-hitting parts.
The musicians mix it up via a jam band orientation or generate semistructured motifs amid live electronics implementations and guitarist Giovanni Francesca's rocketing and, at times, heavily distorted lines. Uncannily melding a doomsday approach into a listener-friendly vibe, the musicians tone it down, however, on "Mod 1," where they integrate darkly ethereal treatments with contemplative sound-sculpting mechanisms, adorned by the guitarist's ambient volume control techniques.
The trio operates across a forbidden zone, abetted by drummer Aldo Galasso's periodic accents and metronome-like undercurrent. Otherwise, they slowly raise the pitch with sprawling choruses, unexpectedly intertwining an easygoing country-blues groove during the bridge, tinted with Francesca's delicate inflections. A slice of Americana ends the piece and instills one of many unanticipated niceties spotted throughout a first-rate product that offers more than the norm, especially when considering the breadth of guitar trio fabrications of this nature.
Track Listing: Francesca/Galasso/Miranda
Personnel: Giovanni Francesca: guitar, live electronics; Aldo Galasso: drums, percussion; Dario Miranda: bass, electric bass, shruti box, kalimba, live electronics.
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.