This Italian trio imparts a cunning and personalized manifesto within the fuzzy area that borders free jazz, jazz-rock and avant-garde musings. The artists' realm of applications and concepts elicit an aura that hovers atop many theme-building episodes, prudently morphing various perspectives into loosely organized structural facets. These components serve as a baseline for both the intricately stylized or hard-hitting parts.
The musicians mix it up via a jam band orientation or generate semistructured motifs amid live electronics implementations and guitarist Giovanni Francesca's rocketing and, at times, heavily distorted lines. Uncannily melding a doomsday approach into a listener-friendly vibe, the musicians tone it down, however, on "Mod 1," where they integrate darkly ethereal treatments with contemplative sound-sculpting mechanisms, adorned by the guitarist's ambient volume control techniques.
The trio operates across a forbidden zone, abetted by drummer Aldo Galasso's periodic accents and metronome-like undercurrent. Otherwise, they slowly raise the pitch with sprawling choruses, unexpectedly intertwining an easygoing country-blues groove during the bridge, tinted with Francesca's delicate inflections. A slice of Americana ends the piece and instills one of many unanticipated niceties spotted throughout a first-rate product that offers more than the norm, especially when considering the breadth of guitar trio fabrications of this nature.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.