Home » Jazz Articles » Album Review » Billy Butterfield & Andy Bartha: Take Me to the Land of Jazz

291

Billy Butterfield & Andy Bartha: Take Me to the Land of Jazz

Billy Butterfield & Andy Bartha: Take Me to the Land of Jazz
The annals of jazz are full of figures like Andy Bartha and Billy Butterfield. Solid horn players with long, respectable careers as sidemen, they remained on the fringes of popular attention, occasionally brushing greatness but never attaining that status themselves.

Butterfield came close, playing trumpet alongside Bob Crosby, Artie Shaw and Benny Goodman in the swing era. His stint with Shaw included a classic solo on the latter's 1940 recording of "Stardust," as well as time in Shaw's groundbreaking Gramercy 5 combo. But his solo career never managed to capitalize on those early successes. Bartha came up during the 1940s Dixieland revival and spent ten years playing with Pee Wee Hunt. Bartha eventually retired to Florida, where he assembled a veteran band that recorded four albums for the Art Records label in the late 1960s and early 1970s.

Take Me To The Land of Jazz is a hard-stomping traditional jazz disc that collects material from two of the Art LPs. The first ten tracks feature Butterfield and Bartha together fronting a nonet, while the remainder of the disc is by Bartha's 1969 octet. Both bands were recorded live at gigs in Fort Lauderdale.

Bartha's warm cornet tone is endearingly gruff, a quality mirrored both by Butterfield and by Ed Hubble's energetic trombone. But the most vibrant voice in the opening tracks is clarinetist Larry Wilson, whose well-lubricated swing defies the stiffness of the rhythm section. Butterfield, despite his top billing, doesn't have much to do until "Basin Street Blues," which he seizes with vigor. His slurring lines, full of sudden swoops and stabs, tell the story of a veteran who's seen it all and has plenty to say about it. "St. Louis Blues" goes one better as the entire band loosens up for an inspired jam.

The 1969 tracks have an entirely different feel. Here the rhythm section, using a banjo instead of guitar, provides a breezy flow largely absent from the Butterfield session. The entire band shows great verve in these five cuts, but bass saxophonist John Dengler seems to benefit the most, turning out a series of quick-paced, impeccably melodic solos.

Delmark Records is to be commended for rescuing these sides from obscurity and giving Bartha and Butterfield another day in the sun.

Track Listing

Dese, Dem & Dose; That's a Plenty; Mama's Gone Goodbye; Basin Street Blues; High Society; St. Louis Blues; Sugar Blues; Original Dixieland One-Step; St. James Infirmary Blues; Dixie; Take Me to the Land of Jazz; Blues My Naughty Sweetie Gave To Me; Memphis Blues; Milenberg Joys; Careless Love.

Personnel

Billy Butterfield: trumpet; Andy Bartha: cornet; Ed Hubble: tombone, baritone sax (1-10); Ray Brooks: trombone (11-15); Larry Wilson: clarinet; John Dengler: bass saxophone; Bob Warren: piano (1-10); Billy "Fats" Hagen (11-15); Chuck Karle: bass; Red Rasele: guitar (1-10); Larry Schram: banjo (11-15); Chuck Damanti: drums (1-10); Carl Peticca: drums (11-15).

Album information

Title: Take Me to the Land of Jazz | Year Released: 2006 | Record Label: Delmark Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

People & Places
Marc Seales
All That Matters
Benjie Porecki
PIVOT
Mats Gustafsson / Ken Vandermark / Tomeka Reid /...

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.