Meet Mike Baggetta: Guitarist and composer Mike Baggetta is originally from Agawam, Massachusetts, and now lives in Brooklyn, New York. Inspired by his father, he began playing the guitar while in high school after previously studying violin and trombone.
Mike went on to study music at Rutgers University, where he received his Bachelor of Music degree with high academic honors, and Master of Music degree in Jazz Studies. His talents have been recognized through a scholarship from the New Jersey Jazz Society, an invitation to participate in Betty Carter's Jazz Ahead residency program at the Kennedy Center, performing as a finalist in the Fish Middleton Jazz Scholarship competition at the East Coast Jazz Festival and being one of seven international guitarists to compete in the Gibson Jazz Guitar Competition at the Montreux Jazz Festival.
Mike leads his own quartet and trio, and co-leads the duo TIN/BAG with trumpeter Kris Tiner. In addition, he has had the pleasure of performing and/or recording with Tom Harrell, Bucky Pizzarelli, Ruth Brown, Conrad Herwig, Tony Reedus, Ralph Bowen, Kevin Norton, Joe Fonda, Bill McHenry and violinist Christian Howes. Mike's most influential teachers have been Ted Dunbar, Vic Juris, Ralph Bowen, Stanley Cowell, and Conrad Herwig.
He also cites master classes with guitarist Jim Hall as being particularly insightful. Mike is an Artist/Endorser for Evans Custom Amplifiers.
Teachers? I have learned from so many people, but the people I owe the most to, from close long-term study, are: Ted Dunbar, who taught me about patience, the importance of a positive work ethic and how the guitar actually works; Ralph Bowen for being the first person to teach me how to play changes with many options; Vic Juris for expanding my view of the guitar's possibilities; and Stanley Cowell for letting me explore the possibilities in music, helping me find my own voice and being a tough critic.
Influences? In no particular order Jim Hall, Miles Davis, Bill Frisell, Ben Monder, Ornette Coleman, Paul Motian, Mick Goodrick, Bud Powell, Joe Henderson, Bob Dylan, Lee Konitz, Paul Bley, Ethan Iverson, Nathan Blehar, Sonny Rollins, Bill McHenry and John McNeil.
I knew I wanted to be a musician when... My dad would play songs for me on his guitar at home, and then taught me to play them along with him. I think one of the first ones was "I'm Glad There Is You."
Your dream band: Dewey Redman, Ron Miles, Paul Bley, Ron Carter and Paul Motian.
Did you know... I beat Thyroid Cancer while finishing my Jazz Studies MM degree at Rutgers University! (Don't worry - I'm fine now.)
What is in the near future? In addition to planning some short tours and other gigs, I am planning on recording two albums. The first will be with my quartet playing all of my originals written for the group, which consists of Jason Rigby on tenor sax, Eivind Opsvik on bass and RJ Miller on drums. Secondly will be a trio album with bass and drums of reworked standards and a couple of other originals.
By Day: I make most of my living right now from teaching guitar lessons and doing transcription work for upcoming publications.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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