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Yuval Drabkin
Born:
Yuval Drabkin is a saxophonist and music educator that has performed all over Israel and Europe. At 28 years of age, he has already played on the biggest stages in Israel, and with some of the largest stars in Israeli music. Yuval is one of the top-called saxophonists in the Israeli jazz scene, and has also performed in large pop music productions. He has performed with Eli Degibri, the Eyal Vilner Big Band, Yoni Rechter, Shalom Hanoch, Shai Maestro, Avishai Cohen, Yonatan Voltzok Big Band, and more. He is currently a permanent member of popstar Tamir Grinberg's touring band. Just a few of the festivals and stages Yuval has performed at include: The Red Sea Jazz Festival, the Jerusalem Jazz Festival, the IASJ Conference in Portugal, the National Opera House of Israel, the Tel Aviv Museum of Art, Heichal HaTarbut in Tel Aviv, and most of the main stadium stages of Israel. In addition to his performing career, Yuval teaches both in school programs and privately
Susan Alcorn, Damon Locks, Allison Miller, Avishai Cohen and Yuval Drabkin
by Hobart Taylor
New music from Allison Miller, Damon Locks, Avishai Cohen with Yuval Drabkin and remembering pedal steel guitarist Susan Alcorn.Playlist Allen Lowe & the Constant Sorrow Orchestra “Dance of the Occupiers" from Louis Armstrong's America (ESP-Disk) 0:00 Mafalda Minnozzi “ Telefone" from Riofonic (Musica Populare Italiana) 2:51 Jimmy Farace “Hours Fly, Flowers Die" from Hours ...
Brightlight
Label: Naive
Released: 2024
Track listing: Courage; Brightlight; Hope; The Ever and Ever Evolving Etude; Humility; Drabkin; Roni's Swing; Hitragut; Liebestraum; Summertime; Polka Dots and Moonbeams.
Crossing the Red Sea
By Eden Giat
Label: Self Produced
Released: 2021
Track listing: Nash Didan; Crossing the Red Sea; Tnudat Hayam; Ha’Sultan; Rustle of the Earth; Butterflies of a
New Path; Two Waves.
Eden Giat: Crossing the Red Sea
by Mike Jurkovic
Given the dire state of the US both at home and abroad, it's a wonder that jazz musicians across the globe, in their own tongue, their own aesthetic and their own devices, still try to carry the music of American tradition forward while calling it their own. It only proves how marvelous and resilient this music ...
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