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Interview: James "Jimmy G" Gutzman Of High Brow And The Shades
Q: When and how did High Brow and the Shades form? A: High Brow started the way a lot of bands start — a couple of guys from one band and a couple from another. That was in 1998. The newly-formed band was fortunate in that we had four strong vocalists. We could all sing lead ...
Trevor Rabin: All Colors Considered
by Ian Patterson
It wouldn't be the norm, that's for sure, but 23 years between solo albums is just one unusual facet of guitarist/composer Trevor Rabin's career to date. Whether taking a stance against apartheid in the early '70s in his native South Africa or turning down the opportunity to play in super group Asia for artistic reasons, Rabin ...
Shu Nakamura: A Day of Dreams
by Mark Redlefsen
Hailing from Nagoya, Japan, Brooklyn, New York-based Shu Nakamura plays guitars, keyboards and percussion on A Day of Dreams. Shu also displays his ability to compose, arrange and sing. Through learning, working, and teaching a variety of different kinds of music from his youth in Japan, Shu is more of a world musician than one existing ...
Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Steven Wilson: Luck's What You Make It
by John Kelman
There was a time when progressive rock really meant what its name suggested: progressive music, music that pushed the boundaries of what rock music was, often by integrating elements of classical music and jazz into the mix. Milestone groups ranging from better-knowns like Yes, Genesis, King Crimson, Jethro Tull, Gentle Giant and Van der Graaf Generator ...
Phish: Chicago '94
by Doug Collette
With the exception of the deservedly lavish package of The Clifford Ball (Rhino/Jemp, 2009), Phish has allowed its music to speak for itself on virtually all the group's archive releases. Chicago '94 follows suit, as this six-CD set--like the similarly conceived Hampton/Winston-Salem '97 (Jemp, 2011)--makes its statement through the largely brilliant musicianship contained therein, with virtually ...
Yes: Open Your Eyes
by Glenn Astarita
Not well-received among diehard Yes fans, Open Your Eyes was originally released in 1997, and reissued here, in LP format, in 2012. Nowhere as prominent or striking as the band's classic '70s outings, here keyboardist Rick Wakeman is absent and replaced by keyboardist/guitarist Billy Sherwood, who lines up with eminent guitarist and longtime member Steve Howe. ...
Yes - In the Present: Live from Lyon (2011)
There was at least one benefit to the departure of Jon Anderson from Yes in 2008: The presence of new lead singer Benoit David immediately opened the door for a rewrite of what had become a very rote setlist. Anderson had always refused, for instance, to sing tunes from Yes' guitar-driven 1980 release Drama, recorded during ...
Steven Wilson: Montreal, Canada, November 15, 2011
by John Kelman
Steven WilsonCorona TheatreMontreal, Canada November 15, 2011 For many of the mid-Baby Boomer era, the gateway drug to jazz was progressive rock. That's not to suggest that the more structured and, some might say, bombastic environs of late 1960s/early 1970s groups like Yes or Emerson, Lake and Palmer had a whole ...
Roine Stolt and Neal Morse: Degrees of Separation
by John Kelman
2011 has been a banner year for progressive rock, the genre that emerged in the late 1960s, peaked in the mid 1970s, and was threatened with extinction (certainly from a commercial perspective) with the advent of punk and new wave. Of course, prog never went away, and the music of seminal bands such as King Crimson, ...
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