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Drawing Jazz
by Keith Henry Brown
A twist on the old cliché, “Those who can't play--draw,"--that's my personal point of view. I've been a jazz nut since as long as I can remember, and as soon as I could push a pencil--even though I could barely bang out a simple tune on a piano--I was sketching some of my favorite players, Charles ...
Andrew Hadro: For Us, The Living
by Angelo Leonardi
Ha atteso quasi un decennio, il sax baritono Andrew Hadro, per incidere il primo disco a suo nome. Dopo alcune collaborazioni minori, dal 2006 al 2008 è stato scritturato da Chico Hamilton -con cui ha pubblicato sei album -e negli anni successivi da Junior Mance e Tony Malaby. Nato a Città del Messico e cresciuto per ...
Jazz at Lincoln Center: The Search for Original African Music
by Nick Catalano
Although jazz emerged as an art form around the turn of the Twentieth century in the southern United States, its roots extend backward over several centuries. The music largely developed from a synthesis of many African and European forms that was achieved through the institution of slavery. Blacks were captured or purchased from specific “factory" areas ...
Marshall Gilkes: Relishing Big Band Success
by R.J. DeLuke
Marshall Gilkes is a trombonist of monster chops and great taste whenever he puts the brass to his lips in any performance. He's seen sitting in the trombone section of the Maria Schneider Orchestra in recent years, and has associations with other big bands, either subbing in, or as a member of the WDR Big Band ...
Adam Birnbaum: Three of a Mind
by Karl Ackermann
Pianist/composer Adam Birnbaum has performed in the company of diverse leaders such as traditionalist trumpeter Wynton Marsalis, the edgier saxophonist Greg Osby and the eclectic composer/conductor Darcy James Argue and his Secret Society. On one hand Birnbaum is a change agent having utilized three different rhythm sections in as many outings as a trio leader. He ...
Ben Wolfe: The Whisperer
by Bruce Lindsay
Ben Wolfe is the man responsible for double bass duties for some of the most popular names in jazz. As well as his six previous albums as leader, in a recording career that extends back to the '80s Wolfe can also be heard on a fist-full of recordings by Harry Connick Jr, Diana Krall and Wynton ...
2014: The Year in Jazz
by Ken Franckling
The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...
Jazz Meets Death
by Matt Lavelle
There once was a great music. It was born in America and branded with the name Jazz. The music was later re-named madam Zzaj, by one of her lovers, the Duke. She grudgingly accepted the moniker of Jazz over the years. It was how she was bought and sold after all. Jazz had several intimate relationships ...
Whiplash, Snidely
by Steven Hahn
Jazz lovers, while always attuned to the possibility of their cherished art form entering the media mainstream, are also equally filled with dread when it occasionally does happen. Inevitably we end up consoling ourselves with a revived career (Dexter Gordon--Bird) or an outstanding performance (James Carter, et al.--Kansas City) in lieu of an actual believable plot ...
Ali Jackson Jr.: Amalgamations
by Angelo Leonardi
Stretto collaboratore di Wynton Marsalis, il trentottenne Ali Jackson è l'attuale batterista della Lincoln Center Jazz Orchestra. Nato a Detroit, laureato in composizione alla New School for Jazz and Contemporary Music, è stato allievo di Elvin Jones, Max Roach e ha operato in vari contesti assieme a Joshua Redman, Kurt Rosenwinkel, George Benson, James Carter, Marcus ...
