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ARTICLE: REASSESSING

Dial "S" for Sonny

Read "Dial "S" for Sonny" reviewed by C. Michael Bailey

Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz ...


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