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Mark Whitecage: Turning Point

by AAJ Staff
Improvised electronics have finally come of age. Some players simply use digital signal processing (eg. distortion, phasing, reverb) to allow them the opportunity to alter the tonality of their instruments. Others prefer to use a sampler to provide a second voice against which to improvise. The more advanced advocates of electronic improvisation perform processing, sampling, and ...
Mark Shim: Turbulent Flow

by Mark Corroto
At 26, saxophonist Mark Shim is living a dream life. Born in Jamaica, he moved to the US at age five. As a young man he was ‘discovered’ by baritone saxophonist Hamiet Bluiett. He was soon a member of The David Murray Big Band, Betty Carter’s band, and the Mingus Big Band. His first recording, Mind ...
Mark Shim: Turbulent Flow

by Jim Santella
Mark Shim’s modern mainstream quintet consists of first-rate artists who possess the technical skills necessary for fast-paced improvisation. This is not a swinging session; the arrangements are intended to push hard and provide the listener with a mood of intensity. The rambling nature allows each artist his solo spots with the opportunity to pump a lot ...
Mark Isham: Miles Remembered: The Silent Way Project

by C. Michael Bailey
Miles Davis 1926 - 1991. Gone these eight years (hard to believe), Miles Davis continues to compel tribute recordings. These include Herbie Hancock, et al.’s A Tribute to Miles (Warner Brothers); Benny Golson’s I Remember Miles (Evidence); Shirley Horn’s I Remember Miles (Verve); Keith Jarrett’s Bye Bye Blackbird (EMI); Cassandra Wilson’s I Travelin’ Miles (Blue Note); ...
Mark Isham: Miles Remembered: The Silent Way Project

by Douglas Payne
Miles Remembered: The Silent Way Project was, perhaps, inevitable. Trumpeter and composer Mark Isham has always displayed a predilection toward the moody melodicism Miles Davis conveyed in his electric works. But Isham is a far more methodical, constructive player and his themes (especially evident in his jazz scores to films like Afterglow ) hark to something ...
Mark Colby / Vince Maggio: Reunion

by Jack Bowers
Of all the configurations in Jazz, the duo may be the most challenging. Each partner must be unremittingly observant, ready and able to lend support in any and all circumstances, while, on the other hand, disclosing a persuasive voice of his or her own with plenty of engaging things to say. Kindred souls Mark Colby and ...