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243

Article: Album Review

Human Element: Human Element

Read "Human Element" reviewed by John Kelman

by John Kelman

Things may not always work out the way they're planned, but that doesn't mean that can't actually work out better. When keyboardist Scott Kinsey began work on the overdue follow-up to his well-received (and equally overdue) debut as a leader, Kinesthetics (Abstract Logix, 2006), the plan was to focus on a small, consistent line-up, as opposed ...

174

News: Recording

"JAZZ ROOTS: Music of the Americas" Out April 5th!

Sony MASTERWORKS Jazz in partnership with producer Larry Rosen will release JAZZ ROOTS: The Music of the Americas, the first compilation of this new branded series which traces the story of Jazz starting with the “Drums from Africa" and their effect on the musical DNA of the Americas. The historical descriptions for the package have been ...

191

Article: Album Review

Animation: Asiento

Read "Asiento" reviewed by Mark Corroto

by Mark Corroto

1969 was perhaps a watershed year for jazz in America. Trumpeter Miles Davis, the anointed pied piper, recorded Bitches Brew (Columbia, 1970). It was to be the beginning of jazz/rock fusion. Maybe better described as jazz/rock/soul/funk fusion. Miles wasn't one to miss out on trends. He saw the popularity of Jimi Hendrix and Sly Stone, with ...

575

Article: Interview

Loose Tubes: Tomorrow Night is Your Last Chance Ever

Read "Loose Tubes: Tomorrow Night is Your Last Chance Ever" reviewed by Bruce Lindsay

by Bruce Lindsay

Twenty years after legendary British big band Loose Tubes played its farewell gigs at Ronnie Scott's Club in London, its first live album, Dancing On Frith Street (Lost Marble Records, 2010), became Jazzwise magazine's Archive Album of 2010. In the intervening decades, the band's members had spread across the British and international jazz scenes to become ...

377

Article: Live From New York

Wayne Shorter, Roscoe Mitchell & Oliver Lake

Read "Wayne Shorter, Roscoe Mitchell & Oliver Lake" reviewed by Martin Longley

by Martin Longley

The Wayne Shorter Quartet The Town Hall February 9, 2011 When observing Wayne Shorter on the stage, he's immediately remarkable for possessing an eccentric body language. In his childlike way (particularly the exploratory, enquiring nature of the as-yet-unformed), Shorter reveals his inner self, always responding to his ...

527

Article: Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer

by Victor L. Schermer

Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...

173

Article: Album Review

Ratko Zjaca / Simone Zanchini: The Way We Walk

Read "The Way We Walk" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Jazz musicians are, in essence and practice, explorers and high-wire artists. The finest improvising players use their instruments to mine the dimensions of sound, rhythm and emotional perception, doing so without a safety net. Like its keyboard cousin the piano, the accordion as an instrument that challenges its players to explore the technical and harmonic universes ...

646

Article: Interview

Stanley Clarke: Path Maker

Read "Stanley Clarke: Path Maker" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...

713

Article: Interview

Russ Gershon: Time Traveler, Four Million Years Later

Read "Russ Gershon: Time Traveler, Four Million Years Later" reviewed by Ian Patterson

by Ian Patterson

Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report--the last of the great '70s fusion bands--was ...

113

News: Interview

Either/Orchestra's Russ Gershon Interviewed at All About Jazz...and More!

Either/Orchestra's Russ Gershon Interviewed at All About Jazz...and More!

Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report—the last of the great '70s fusion bands—was ...


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