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Arto Tuncboyacıyan: Mr. Avant-Garde Folk
by Ian Patterson
Though a good number of notable jazz fusion bands and musicians have sprung up over the course of the last 40 years, the same few names from the '70s continue to serve as references--and sources of inspiration--in this, the second decade of the 21st century. Most notable are Weather Report, Mahavishnu Orchestra, Tony Williams' Lifetime, Herbie ...
Chris Taylor: Never Make Your Move Too Soon
by Ian Patterson
It's taken 30 years, but you can't rush something if it's not there. Chris Taylor's debut recording as leader, Nocturnal (Abstract Logix, 2011), is the result of the direction his composing has led him these last two or three years, but it could be seen in a wider context as the accumulated experience of three decades ...
Chris Taylor: Nocturnal
by Ian Patterson
Necessity, they say, is the mother of invention, and for guitarist Chris Taylor--whose financial dire straits forced him to abandon Berklee and return to gigging after three semesters-- this has proven to be an undeniable truth. That was thirty years ago, and Taylor's never looked back, gigging in every imaginable situation, and exploiting his natural bent ...
Lenny White and RTF IV: Northampton, Mass.
by Carl L. Hager
Intro | 2 | 3 | 4 [Editor's note: Lenny White and the other members of the legendary jazz/rock band Return To Forever began a world tour last February in Australia, and on Friday, June 24th resume in Northampton, Massachusetts. After that it's north to Canada for three dates, over to ...
Pear: extemp’ore
by Mark Corroto
The improvising duo of Pear--keyboardist Nick Pierone and percussionist Rick Milne-- plays a fanciful game of six degrees of separation on extemp'ore. The opening “Dewey Miles" is a piece of cake, with the sampled voice of Miles Davis whispering “play what you hear" to some Betty, or maybe Jean-Pierre in the backseat. Pierone's piano ...
Branford Marsalis / Joey Calderazzo: Songs of Mirth and Melancholy
by Mark F. Turner
The Swedish proverb “Shared joy is a double joy; shared sorrow is half a sorrow," is one that perfectly exemplifies Songs of Mirth and Melancholy, from saxophonist Branford Marsalis and pianist Joey Calderazzo. Their bond has solidified over time, since Calderazzo took over the piano chair from the late Kenny Kirkland in Marsalis' ensemble in 1998. ...
Borneo Jazz 2011
by Ian Patterson
Borneo JazzMiri, Sarawak, BorneoMay 12-15, 2011 Borneo Jazz--known as the Miri International Jazz Festival for the previous five editions--has undergone a certain amount of rebranding in an effort to promote its growing stature as one of the leading jazz festivals in the region. This year the festival has increased from two to ...
Tommy Smith: Karma
by John Kelman
Tommy Smith is on a roll. Not that he's been on anything but for the last several years, with a string of superb albums, each as different as they are consistent in demonstrating the saxophonist's ongoing ascension as a player, writer and bandleader. But that's not all. Since returning to Scotland after graduating from Boston's Berklee ...
Take Five With Joyce Spencer
by AAJ Staff
Meet Joyce Spencer:A native of South Louisiana, Joyce Spencer began playing the clarinet in 5th grade, but switched to tenor saxophone in the 12th. During this time, her musical influence included blues, jazz, zydeco, gospel, classical and R&B. She later included the alto sax and flute at McNeese State University where she received a ...
Jazzahead 2011: April 28 - May 1, 2011
by John Kelman
Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...
