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The 1979 Playboy Jazz Festival
by Jon Deshler
I began producing my Jazz Passages Archive when I was 14 in the '70s, as a young trumpet student and photography enthusiast growing up in the San Fernando Valley. In June of 1979 serendipity aligned with a high school buddy/usher, which led to me attending the first Playboy Jazz Festival at the Hollywood Bowl. At 16 ...
Pat Martino: Creative Force
by Mike Brannon
This article was first published at All About Jazz in June 2000. Pat Martino. A name that strikes anything from fear to sheer awe and reverence in musicians who know who this is. And what he's done and been through. And continues to go through. The name resonates a bridge between the true Jazz ...
Meet Kenneth Cobb
by Tessa Souter and Andrea Wolper
We suppose it makes sense that our latest Super Fan, a high-level mathematician—a contractor for NASA, no less—would keep meticulous records about, well, everything, from his massive CD and LP collection, to his personal road trip “mix tapes," to every concert he's attended. But applying his mathematical genius to fitting an entire week's worth of music ...
Your Eggs Scrambled, Any Way You Like
by Mike Jacobs
This edition of BackTracks takes a look at a few selections that might rewire, reset, thoroughly scramble or even short-circuit the “normal" music pathways of your noodle. These five selections are each capable of this in subtle or sometimes not-so-subtle ways. Everything from stylistic jumbles and conceptual twists to abandonment of premeditated form and utter mayhem ...
Mike Clark: The Drummer Gets (And Gives) Some!
by Doug Collette
Drummer Mike Clark must've already had some estimable pedigree in the first place to be invited to join Herbie Hancock's seminal funk/fusion ensemble Headhunters back in the Seventies. But the man at the kit only built upon his existing prestige during his tenure with that group and then went on to expand upon his rep with ...
Who Do You Think We Are?
by John Kelman
Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...
Bévort 3: On Fire
by Ian Patterson
After a recording hiatus of seven years, Bévort 3, the trio led by Pernille Bévort, is back. Not that the Danish saxophonist-composer has been idling. Since the release of Trio Temptations (Gateway Music, 2014), Bévort has dedicated most of her energy to expanded line-ups. Which Craft? (Gateway Music, 2016) for octet and BLIK (Self Produced, 2020) ...
Homage and Acknowledgment: A Conversation with Wallace Roney
by Stanley Péan
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2001. The following conversation took place in Wallace Roney's room at Wyndham Hotel in downtown Montreal on Sunday, July 8th 2001, the day after he performed Miles and Miles: A Musical Journey, his tribute commemorating both the seventy-fifth anniversary of ...
Take Five with Arie Salma
by AAJ Staff
Meet Arie Salma Pianist/keyboardist/composer Arie Salma is a versatile musician who focuses on Jazz-Fusion music, many times with World influences. Born to Spanish parents in Israel, Arie was exposed to elements of flamenco, Latin, African and Mediterranean music, which he likes blending with his Jazz playing and compositions. Arie was introduced to Jazz as ...
Black Market (Live at Montreux 1976)
Featuring the music of Weather Report
Duration: 10:24
