Home » Search Center » Results: We All Make Music
Results for "We All Make Music"
CMJ 2010: Tips for Getting Gigs in New Markets
When CMJ released its panel schedule about ten days ago, there were a couple titles that jumped out at us right away, most of which we've been lucky enough to attend over the past few days. But the final panel we attended today, “How to Sell 500 Tickets in 5 Different Markets," was the first thing ...
CMJ 2010: The Straight Dope from Wednesday's Panels
It can sometimes be difficult to get good, concrete information at a conference. Most panelists, after all, have an interest in presenting themselves (and the companies they work for) a certain way, and CMJ is no exception; Gina Esposito, the director of music and talent at MTV, is happy to tell you that digital technology has ...
CMJ Marathon 2010 Preview: What Labels Really Do
There are a lot of misconceptions floating around these days about the future of record labels. You've got people like Erin McKeown suggesting that rising artists don't need labels at all, saying you can promote yourself just fine. You've got people who say that everybody will be enslaved in a 360 deal one day, that labels ...
CMJ Marathon 2010 Preview: Radio, and You
As you might have heard, the 2010 CMJ Music Marathon starts next week, and our coverage begins with new information on an old medium: radio. On Thursday morning, the hosts of WRXP's morning show, Matt Pinfield and Leslie Fram, who is also WRXP's Program Director, will lead a discussion entitled “The Truth and the Crossing Lines ...
What the Lawyers Are Hearing
Just like we said would happen, last night the New York Law School held an event called “Monetizing the Band: How to Be a Working Band in 2010." Just like we didn't expect, however, the room was crawling with entertainment lawyers. Not that there's anything wrong with that, mind you. We love entertainment lawyers! Some of ...
How Do You Divide up Royalties?
The following post was written by Sami Fischer, the lead singer of Viennese rock band My Glorious. You can view his previous work here] You start a band for the fun of it and the love of music. You're idealistic about it: you travel, play for free, invest your time and money into it and fight ...
Does Your Music Always Come Out the Way You Want It To?
Creativity is as much a sickness as it is a gift. On the one hand, creators are blessed with a lifetime of opportunities to bring their visions into the real world. On the other, most of them are tormented by insecurity, doubts, and the never-ending struggle of trying to create the ideal things their imaginations conjure ...
October 2010: New Features; New Opportunities
by Michael Ricci
Dear fellow musician: All About Jazz recently relaunched our website, making significant changes to our appearance and expanding the services we offer musicians. We've outlined some of the various opportunities that you can take advantage of below. Our immediate plans are focused on improving our calendar of jazz events and ...
The Basics of Remixing, Part Two: Staying Ahead, with Multiple Personalities
Welcome to the latest installment of Production Tips, our new monthly feature offering, well, production tips, hosted by Simon Langford. We can look back and music and very often classify it by its decade. The 1950's were defined by very definite sounds, as were the 1960's, the 1970's and the 1980's. But since then, things have ...
FMC Policy Summit Recap: What Really Works in Direct to Fan
Our FMC Policy Summit coverage begins with a panel on Direct to Fan sales and marketing strategies. We spoke with moderator Jem Bahaijoub about this stuff last week, but there were some especially enlightening and interesting takeaways that we felt compelled to share. Free Doesn't Have to Stay Free Amir Mohamed, better known to ...
