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Results for "Wayne Shorter"
Take Five With Jason Hammers
by AAJ Staff
Meet Jason Hammers:Originally from Gaithersburg, MD, Jason Hammers grew up in Stafford, VA where began his musical journey on the alto saxophone at age 11. While a student at Stafford Senior High School, he was named to numerous All-County and All-District Bands and had established himself as a featured soloist with the school's jazz ...
David Binney: Aliso
by J Hunter
For Aliso, reedman David Binney wanted to get back to “doing things that have been part of my life since I was a kid." It's clear that any time is a good time for a happy childhood, because both Binney and his band dive into Aliso like 10 year-olds on vacation at Disney World. The opening ...
Take Five With Ryan Kauffman
by AAJ Staff
Meet Ryan Kauffman: “What is not to like about a throaty tenor saxophone with a big aggressive sound, a full voiced soprano saxophone or a hauntingly velvety flute?" --Craig W. Hurst Ryan Kauffman is a saxophonist and private teacher in central and eastern Pennsylvania. He currently leads his own jazz trio and ...
The Multi-Tasking State of David Binney 2010
by C. Michael Bailey
Saxophonist David Binney has been a ubiquitous presence in jazz since his first recording, Point Game (Owl, 1989), both as a leader and a sideman. So prolific is Binney, that any multiple-disc review featuring him will be dated immediately. Well, so be it, this is a summer 2010 snapshot of some of the recent activity of ...
David Binney Quartet at L'Astral in Montreal, May 13, 2010
by John Kelman
David Binney QuartetL'Astral Montréal, Canada May 13, 2010 For one night, saxophonist David Binney brought a little taste of the 55 Bar to Montréal's L'Astral, courtesy of the Festival International de Jazz de Montréal. Mind you, as much as the well-known New York club acts as a regular performance space for ...
Joe Chambers: Horace to Max
by John Kelman
Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...
Chick Corea: Solo Piano
by John Kelman
It may be Keith Jarrett and Paul Bley who, with Facing You (1972) and Open, To Love (1973) respectively, put ECM on the map for what would become a lifelong focus on the art of solo piano, but it was Chick Corea's Piano Improvisations Vol. 1 (1971) and Vol. 2 (1972) that represented the label's first ...
Allison Miller: Breaking Ground
by Franz A. Matzner
It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...
Hailey Niswanger: Confeddie
by Joshua Weiner
To look at Confeddie, the new self-produced record by Hailey Niswanger with an artfully posed black-and-white photo of the doe-eyed, comely saxophonist on the cover, the thought that may come to mind is “Great, another Candy Dulfer." Never judge a CD by its cover, to paraphrase some wise man (or, more likely, wise woman) lost to ...
Marcus Strickland at Bohemian Caverns, Washington, D.C.
by David Lighton
Marcus Strickland TrioBohemian CavernsWashington, D.C.May 1, 2010 The current stream of tenor saxophonists is often lamented by older generations of musicians and fans alike as decidedly postmodern: producing artifice over art. And while this has been a frequent, and often unfounded critique of the old guard's throughout the history of the music, it ...
