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527

Article: Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer


Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...

188

Article: Album Review

Mark Weinstein: Jazz Brasil

Read "Jazz Brasil" reviewed by Edward Blanco


Flautist Mark Weinstein has been a major force in the Latin jazz genre for some time, releasing projects almost yearly. Though the body of his discography falls squarely within the Afro-Cuban form which remains his passion, he has slowly gravitated towards the Brazilian sound, releasing three Brazilian-style projects, for Jazzheads, since 2005. On Jazz Brasil, Weinstein ...

213

Article: Album Review

Miles Davis: Bitches Brew Live

Read "Bitches Brew Live" reviewed by Doug Collette


Bitches Brew Live documents Miles Davis, as he moved off the cusp of acoustic and electric jazz. The hour-long disc contains two live performances that constitute concert corollaries to the studio albums of their time, with which The Man With The Horn revolutionized modern jazz. The three recordings from the Newport Jazz Festival in ...

646

Article: Interview

Stanley Clarke: Path Maker

Read "Stanley Clarke: Path Maker" reviewed by Esther Berlanga-Ryan


Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...

284

Article: Live Review

Wayne Shorter Quartet: Toronto, February 12, 2011

Read "Wayne Shorter Quartet:  Toronto, February 12, 2011" reviewed by Alain Londes


Wayne Shorter QuartetMassey HallToronto, CanadaFebruary 12, 2011 During a recent NPR interview with Michelle Mercer, the author of Footprints: The Life and Music of Wayne Shorter (Tarcher, 2004) talked about how the saxophonist is still capable of keeping people interested through his continuous playing and writing. His quartet has not recorded ...

370

Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by C. Michael Bailey


Alto saxophonist and producer David Binney has become a ubiquitous presence in jazz in the last 20 years fronting his own bands while appearing with Donny McCaslin, Uri Caine, Joel Harrison, Edward Simon and Bobby Previte. He might be considered the logical next step in jazz saxophone after Wayne Shorter and Michael Brecker (Sonny Rollins remains ...

114

News: Performance / Tour

Saxophonist Wayne Shorter at Berklee Performance Center on February 8

Saxophonist Wayne Shorter at Berklee Performance Center on February 8

Six-time Grammy Award winner Wayne Shorter brings his quartet to Boston for a concert at the Berklee Performance Center on Tuesday, February 8, 2011 at 8:00 p.m. Tickets are $46-$66 and can be ordered online. Considered one of the most inventive and daring musicians and composers of his generation, Shorter began his career playing with John ...

213

Article: Album Review

Debbie Winter Quartet: Red Song

Read "Red Song" reviewed by Bruce Lindsay


Classically-trained British vocalist Debbie Winter, formerly a member of Shifting Sands, makes her solo debut with Red Song. The recording may be brief, just 20 minutes, but in that time, Winter's quartet creates a rich and intriguing musical atmosphere with moments of breathtaking beauty. Winter co-wrote the songs with pianist and arranger Aidan ...

217

Article: Album Review

Mark Weinstein: Jazz Brasil

Read "Jazz Brasil" reviewed by Jerry D'Souza


Mark Weinstein had a long journey across the trail of music instruments before he settled on the flute. He first played the piano when he was six. He then tried the clarinet and the drums before gravitating to the trombone and string bass in high school. The trombone was the mainstay for quite a while, and ...

658

Article: Interview

Marcus Miller: The Perfect Balance

Read "Marcus Miller: The Perfect Balance" reviewed by Esther Berlanga-Ryan


Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...


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