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6

Article: Album Review

Kahil El'Zabar Ritual Trio: Follow The Sun

Read "Follow The Sun" reviewed by Hrayr Attarian


It is safe to state that the percussionist Kahil El'Zabar has never made a mediocre or a mundane album and Follow the Sun is no exception. On this intriguing and provocative disc El'Zabar leads his group through five originals and four covers that he interprets with his signature, fluid touch.Oscar Hammerstein II's heartsick standard ...

8

Article: Album Review

Seamus Blake and Chris Cheek: Reeds Ramble

Read "Reeds Ramble" reviewed by Edward Blanco


As leader of the 1995 funky, alternative/electronic music group The Bloomdaddies, saxophonist Seamus Blake released the band's debut album Bloomdaddies (Criss Cross 1110, 1996) that included fellow reed man Chris Cheek among the personnel. Twenty-years later, after forging independent careers as sidemen, big band soloists and leaders of their own groups, on Reeds Ramble, Blake and ...

11

Article: Album Review

Jean Toussaint: Tate Song

Read "Tate Song" reviewed by Ian Patterson


Ten albums in twenty five years isn't prolific but in a world awash with inferior music saxophonist Jean Toussaint's unhurried approach has consistently produced high-quality recordings that stand the test of time. What's more, the lapses between releases make each production a bona fide event. Certainly, the four years since his live album and the nine ...

5

Article: Album Review

Orrin Evans' Captain Black Big Band: Mother's Touch

Read "Mother's Touch" reviewed by Jack Bowers


New York-based pianist / composer (and two-time Grammy Award nominee) Orrin Evans served notice with his first big-band album for Posi-Tone Records that there was an impressive new ensemble on the scene, a message that is firmly underscored by the second, the cryptically named Mother's Touch, whose tone and temperament mirror Evans' contemporary point of view. ...

2

Article: Lyrics

I 10 CD nel CD-Player di... Mattia Cigalini

Read "I 10 CD nel CD-Player di... Mattia Cigalini" reviewed by Vincenzo Roggero


01. Metallica--Black Album (Elektra-1991). 02. Brad Mehldau--The Art of the Trio, Vol. 4-Back at the Vanguard (Nonesuch-1999). 03. Massimo Urbani--Easy to Love (Red Records-1987). 04. Dr. Dre--Cronic 2001 (Aftermath-1999) 05. Wayne Shorter--Without a Net (Blue Note-2013). 06. Miles Davis--Nefertiti (Columbia-1968).

10

Article: Live Review

Celebrating Sun Ra at the Painted Bride Art Center

Read "Celebrating Sun Ra at the Painted Bride Art Center" reviewed by Victor L. Schermer


The Warriors of the Wonderful Sound and the Sun Ra Centennial Arkestra The Painted Bride Art Center “Still the New Thing" Philadelphia, PA April 19, 2014 This concert concluded a tripartite series curated by saxophonist, band leader, and composer/arranger Bobby Zankel entitled “Still the New Thing" honoring three icons of ...

6

Article: Multiple Reviews

Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine

Read "Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine" reviewed by C. Andrew Hovan


With the launch of their own label at the start of 2014, Smoke Jazz Club widened their circle by committing to tape performances by some of New York's finest musicians and dispersing this music via downloads and discs. A decidedly bare bones operation, the in-house production team has done a great job of capturing the ambiance ...

3

Article: Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini


Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato ...

6

Article: Album Review

Orrin Evans' Captain Black Big Band: Mother’s Touch

Read "Mother’s Touch" reviewed by Dan Bilawsky


The studio-versus-stage argument will forever rage on in music, but it really shouldn't. Each setting has its advantages and disadvantages. The jazz community has forever favored the stage, as many feel that jazz is meant to be experienced and created in the moment, with artist(s) feeding off the room and creating here-and-gone sounds. That preference is ...

6

Article: Live Review

Joshua Redman Quartet at Musical Instrument Museum

Read "Joshua Redman Quartet at Musical Instrument Museum" reviewed by Patricia Myers


Joshua Redman Quartet Musical Instrument Museum Phoenix, Arizona April 3, 2014 Saxophonist Joshua Redman played tribute to past tenor greats, putting his personal imprint on each chart, from Wayne Shorter's “Infant Eyes" to Joe Henderson's “Tetragon" and the sax standard, “Oleo" by Sonny Rollins. Performing with the quartet he formed in ...


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