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Article: Album Review

Sam Boshnack Quintet: Exploding Syndrome

Read "Exploding Syndrome" reviewed by Hrayr Attarian


Intrepid trumpeter and composer Samantha Boshnack's Exploding Syndrome is one of those delightful, surprising discoveries that makes writing about jazz so rewarding. The explorative and intriguing record balances innovation with a strong melodic sense and the intimate ambience of the quintet with a definite dramatic flair. The three part “Suite for Seattle's Royal Court," ...

3

Article: Album Review

Scenes: ...but not heard

Read "...but not heard" reviewed by Dan McClenaghan


ECM Records has been noted for its “Nordic Cool," school, from its many recordings of Scandinavian artists, with pianist Tord Gustavsen coming most readily to mind. Seattle's Origin Records has what can be called its “Northwest U.S. Cool" with recordings from bassist Jeff Johnson, saxophonist Hans Teuber, and the collective trio Scenes, with guitarist John Stowell, ...

5

Article: Live Review

Tedeschi Trucks Band at the Vogue Theater

Read "Tedeschi Trucks Band at the Vogue Theater" reviewed by Lloyd N. Peterson Jr.


Tedeschi Trucks Band Vogue Theater Vancouver, BC November 8, 2013 Jazz has always taken from the pop music of its day and culturalized it, intellectualized it, added some soul or swing and for those who are capable, added the personalized artistic X factor that is unique to that artist's ...

15

Article: Interview

Billy Kilson: Nasty Pitch

Read "Billy Kilson: Nasty Pitch" reviewed by Trish Richardson


Here's the wind up. And the pitch. Whoa, did you see that one folks? That pitch was just nasty. In baseball, occasionally a ball gets thrown by the pitcher that is so good, so perfectly placed, so unbelievable, the announcer calls it nasty. The opposing batter doesn't have much chance of hitting it, but ...

9

Article: Album Review

Levin Minnemann Rudess: Levin Minnemann Rudess

Read "Levin Minnemann Rudess" reviewed by John Kelman


For a first crack at a fresh idea for Lazy Bones Records--three well-known musicians brought together to create improv-based music with a minimum of planning--Levin Torn White (2011) was a set that, beyond finding common ground amongst bassist/stick master Tony Levin, guitar sound sculptor David Torn and drummer Alan White, also proved, unequivocally, that White is ...

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News: TV / Film

Icons Among Us: Jazz In The Present Tense, Filmbuff And The Angel City Jazz Festival Announce The Hulu Release Of The Four-Part Series Broadcast

Icons Among Us: Jazz In The Present Tense, Filmbuff And The Angel City Jazz Festival Announce The Hulu Release Of The Four-Part Series Broadcast

The trans-media platformʼs digital release will coincide with four theatrical screenings at The Angel City Jazz Festival on Oct. 6, 12 & 13. Also, featured at the festivalʼs technology panel will be a preview of the Icons Among Us: Online Digital Archive Los Angeles, CA: ICONS AMONG US: JAZZ IN THE PRESENT TENSE, the critically acclaimed ...

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Article: Live Review

2013 Thelonious Monk Institute Competition

Read "2013 Thelonious Monk Institute Competition" reviewed by Franz A. Matzner


The saxophone is the most iconic of jazz instruments. Its image is all that is needed to invoke the music's essence, its history intimately entangled with the cultural arc of American music and urban culture. Its masters are the most recognized outside jazz circles and its sound most closely identified with the art form. To many, ...

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News: Recording

Saxophonist Steve Treseler Releases Center Song Featuring Ingrid Jensen

Saxophonist Steve Treseler Releases Center Song Featuring Ingrid Jensen

Saxophonist Steve Treseler's new release, Center Song, is a portrait of the Pacific Northwest cultural scene. Joined by B.C.-born, New York-based trumpeter Ingrid Jensen, Center Song reunites the rhythm section of Treseler's 2008 album, Resonance — pianist Dawn Clement, guitarist Chris Spencer, bassists Jon Hamar (on double bass) and Dean Schmidt (electric) and drummer Steve Korn ...

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Article: Album Review

Bill Frisell: Big Sur

Read "Big Sur" reviewed by Glenn Astarita


Heralded guitar maestro Bill Frisell combines his 858 Quartet and Beautiful Dreamers units to impart another watermark on his Americana legacy, featuring an organic acoustic-electronic sketch of this picturesque area of California coastline. The album comprises nineteen-tracks, spanning Civil War-era country-chamber, undulating ostinatos, layered strings, parts, and even snippets of surf music on “The Big One." ...

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Article: Live Review

2013 DC Jazz Festival: Washington, DC, June 5-15, 2013

Read "2013 DC Jazz Festival: Washington, DC, June 5-15, 2013" reviewed by Franz A. Matzner


2013 DC Jazz FestivalWashington, DCJune 5-15, 2013Every summer, the DC Jazz Festival shines a spotlight on Washington, D.C.'s expanding music scene, having grown in parallel with the increased number of jazz clubs, venues, and musicians the nation's capital now harbors. The relationship has been mutually reinforcing. The festival created a ...


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