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About Warren Trae Crudup III

Results for pages tagged "Warren Trae Crudup III"...

2

Article: Radio & Podcasts

This One's For Bob Rogers: Radio for a Poet Who Just Happened to Program Radio

Read "This One's For Bob Rogers: Radio for a Poet Who Just Happened to Program Radio" reviewed by Hobart Taylor


William Parker, Jane IraBloom, Rez Abassi and Helen Sung and other artists culled from Bob Rogers' playlist. Playlist Host Speaks 00:00 Helen Sung “Feed The Fire" from Quartet + (Sunnyside) 02:34 Angelica Sanchez/Marilyn Crispell “Windfall Light" from How to Turn the Moon (Pyroclastic) 6:57 Rez Abbasi “Lonnie's Lament" from Sound Remains (Whirlwind) 11:57 Maya ...

Album

Unknown Rivers

Label: Pi Recordings
Released: 2024
Track listing: Seek Whence; Baba Doo Way; You See?; The Slip; Amilcar; Dudu; Unknown Rivers.

3

Article: Album Review

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by Phillip Woolever


James Brandon Lewis has been climbing the current jazz pantheon for a good while now. This deserving project should elevate the 36-year old tenor saxophonist from Buffalo even higher in the ranks. Backed by the usual collaborators in his touring trio (drummer Warren Trae Crudup III, bassist Luke Stewart) and a pair of familiar ...

16

Article: Live From New York

Red Hook Jazz Festival 2016

Read "Red Hook Jazz Festival 2016" reviewed by Martin Longley


Red Hook Jazz Festival 2016 Urban Meadow Community Garden Red Hook, Brooklyn June 12 & 19, 2016 This ninth edition of the Red Hook Jazz Festival appeared to draw its biggest crowd yet. Not that it's a large- capacity event, but perhaps a setting close to the water's ...

25

News: Festival

9th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn's Urban Meadow, June 12 & 19 From 1-6pm

9th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn's Urban Meadow, June 12 & 19 From 1-6pm

“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York ...


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