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4

Article: Album Review

Tomoko Omura: Post Bop Gypsies

Read "Post Bop Gypsies" reviewed by Dan Bilawsky

by Dan Bilawsky

Think about your favorite jazz violinist. Now think about what style or sub-category of jazz that person would most easily fall into. Was your answer bebop? Probably not, I would venture to guess. It's not that I know your answer. This isn't a magic trick. For all I know it could've been Stéphane Grappelli, Jenny Scheinman, ...

5

Article: Bailey's Bundles

Art Pepper: Presents “West Coast Sessions” Volumes 3 & 4

Read "Art Pepper: Presents “West Coast Sessions” Volumes 3 & 4" reviewed by C. Michael Bailey

by C. Michael Bailey

Today is the day that I finally come clean about Art Pepper and me. In 1984, I was taking a year off between having finished Pharmacy School and beginning a graduate program in Medicinal Chemistry and Drug Design. During this time, I had my yearly eye appointment with my ophthalmologist, one Dr. A. Henry Thomas, with ...

8

Article: My Playlist

Caroline Davis

Read "Caroline Davis" reviewed by Vincenzo Roggero

by Vincenzo Roggero

After honing her skills on the Chicago scene, Caroline Davis has rapidly established herself as an in-demand musician and educator in New York, where she moved in 2013, and internationally. Her debut album, Live Work & Play, was featured on All About Jazz's best releases. The leader or co-leader of several interesting projects, ranging from her ...

1

Article: Album Review

Maryanne DeProphetis: Tell A Star

Read "Tell A Star" reviewed by Angelo Leonardi

by Angelo Leonardi

La ricerca vocale minimalista e astratta di Maryanne de Prophetis è troppo sofisticata per ottenere l'attenzione del grande pubblico ma mantiene un'audience affezionata nei club di New York City. Dal 2002 guida il trio col pianista Frank Kimbrough e il trombettista Ron Horton con cui ha pubblicato due dischi, A Glance nel 2005 e Lilacs in ...

News: Video / DVD

Warne Marsh: Oct. 1987

Warne Marsh: Oct. 1987

On Sunday, October 18, 1987, Warne Marsh was leading a quartet at a San Francisco concert. The performance was held just two months before the cool-jazz tenor saxophonist would collapse and die of a heart attack on stage at Donte's in North Hollywood at age 60. Backing Marsh in San Francisco was Larry Koonse (g), Seward ...

1

Article: Album Review

Lee Konitz: Frescalalto

Read "Frescalalto" reviewed by Luca Canini

by Luca Canini

Lo sfizio del primo disco su Impulse! se l'è tolto alla soglia dei novanta, ennesima tappa di una carriera che per raccontarla non basterebbero due Treccani con relative appendici. Una vita in jazz come poche ce ne sono state, e come mai più (forse) ce ne saranno, quella di Lee Konitz. Dagli esordi ...

Article: My Favourite Things

Alexander Hawkins

Read "Alexander Hawkins" reviewed by Paolo Peviani

by Paolo Peviani

Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.

1

News: Recording

Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits

Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits

Available March 10, 2017 on Clean Feed Records “Like a high-quality electronic product manufactured by the Panasonic Corporation, the career of alto saxophonist Michaël Attias has always involved being slightly ahead of his time...”—Ken Waxman, JazzWord Nerve Dance—saxophonist/composer/bandleader/conceptualist Michaël Attias’ sixth album (available on Clean Feed Records, March 10, 2017), which deals with the aesthetics of ...

7

Article: Album Review

The Brian Dickinson Quintet: The Rhythm Method

Read "The Rhythm Method" reviewed by Dan McClenaghan

by Dan McClenaghan

Toronto-based pianist Brian Dickinson explores the “quintet with a two sax front line" on The Rhythm Method. He takes his lead from the somewhat overlooked pianist/conceptualist Lennie Tristano, who broke the ground with his historic 1949 Capitol Sessions featuring Lee Konitz on alto sax and Warne Marsh on tenor sax; and with his 1956 recordings with ...

1

Article: Album Review

Rick Hannah / Erwin Siffer: 2-Man Jazz Band

Read "2-Man Jazz Band" reviewed by Budd Kopman

by Budd Kopman

Piano and guitar is a relatively rare combination for a number of reasons including overlapping ranges and having the similar timbre of percussive string. Yes, players of both instruments spend a lot of time perfecting a singing or legato sound, but in the end they are what they are. Instead of fighting it, with ...


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