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18

Article: Album Review

Vince Guaraldi: A Charlie Brown Christmas

Read "A Charlie Brown Christmas" reviewed by Marc Davis


A Charlie Brown Christmas is the corniest jazz-Christmas album ever made. And that's OK. It's even good. I know the dig. What Vince Guaraldi played wasn't jazz, it was lounge music. It was sentimental. It was lightweight. It was sappy. Yep. All of that. So what? Christmas time is about memories. That's ...

6

News: Radio

Christmas Jazz Begins Thanksgiving Day

Christmas Jazz Begins Thanksgiving Day

Jazz Lovers Radio announces the beginning of the Christmas Jazz season with a sprinkling of Christmas Jazz favorites starting Thanksgiving Day. Each week in December, more holiday tracks will be added to the Jazz Lovers Radio playlists as Christmas Day approaches. The most listenable Christmas Jazz in the world will be featured around the clock starting ...

News: Event

Clarinets At Grace Cathedral

Clarinets At Grace Cathedral

Over the years, Grace Cathedral on San Francisco’s Nob Hill has hosted countless concerts of importance. Among them, both in 1965, were Duke Ellington’s magnificent Second Sacred Concert and pianist Vince Guaraldi’s Grace Cathedral Concert with his trio and an 86-voice choir. Rifftides reader and veteran audio expert Jim Brown attended last week’s more secular concert ...

17

Article: My Blue Note Obsession

Lou Donaldson: Blues Walk – 1958

Read "Lou Donaldson: Blues Walk – 1958" reviewed by Marc Davis


There's a tendency among some jazz purists to poo-poo Lou Donaldson. Not flashy enough, they say. Not groundbreaking. Too bluesy, too simple. Predictable. Derivative. A notch below the best Blue Note saxmen. A craftsman, not an artist. Aw phooey! I like Lou Donaldson and I don't mind anyone knowing. It has always ...

7

Article: Album Review

Gerry Gibbs Thrasher Dream Trio: Live In Studio

Read "Live In Studio" reviewed by Dan Bilawsky


Drummer Gerry Gibbs has been living a recurring dream with slight variations for the past few years. In December of 2012, he laid down tracks with two of his idols--the legendary Ron Carter and the estimable Kenny Barron--and dubbed their group the Thrasher Dream Trio. The eponymous debut from that band, featuring fifteen tracks recorded at ...

13

Article: Extended Analysis

Talk Thelonious: NRBQ + Terry Adams plays Terry Adams Arrangements of Thelonious Monk Songs

Read "Talk Thelonious: NRBQ + Terry Adams plays Terry Adams Arrangements of Thelonious Monk Songs" reviewed by C. Michael Bailey


Musician and AAJ contributor Skip Heller calls the New Rhythm and Blues Quartet (NRBQ), “the greatest band of all time." A listen to the band's catalog reveals a depth and breadth of material that betrays an omnivorous appreciation of all American Music, all with a wicked and acute sense-of-humor, something so much music lacks. Never a ...

Article: Album Review

Jerry Granelli: What I Hear Now

Read "What I Hear Now" reviewed by Vincenzo Roggero


What I Hear Now è un gioiellino di eleganza, sobrietà, passione, musicalità. Al settantaquatrenne Jerry Granelli sono sufficienti trentotto minuti scarsi per mettere in campo una vita dedicata alla musica -quella senza confini e senza barriere, dalle session free della San Francisco anni sessanta alle sedute psichedeliche con Sly Stone passando per gli storici trio con ...

1

News: Birthday

Jazz Musician of the Day: Vince Guaraldi

Jazz Musician of the Day: Vince Guaraldi

All About Jazz is celebrating Vince Guaraldi's birthday today! By Derrick Bang Like most so-called overnight successes, Vincent Anthony Guaraldi—who forever described himself as “a reformed boogie-woogie pianist"—worked hard for his big break. The man eventually dubbed “Dr. Funk" by his compatriots was born in San Francisco on July 17, 1928; he graduated from Lincoln High ...

3

Article: Album Review

Jerry Granelli: What I Hear Now

Read "What I Hear Now" reviewed by Dan Bilawsky


This is what master drummer Jerry Granelli hears now: a wide variety of left-of-center music that circumvents strict harmonic corralling, thanks to the absence of guitar or piano, and makes good use of multiple horns. Of course, if you catch Granelli a few months down the road, he might hear something completely different. ...

410

Article: Building a Jazz Library

Bossa Nova

Read "Bossa Nova" reviewed by AAJ Staff


In 1959, an unassuming guitarist/vocalist named João Gilberto from the Brazilian state of Bahia started a quiet revolution with his recordings “Chega de Saudade (No More Blues)" and “Desafinado (Off Key)" on the Odeon label. They featured arrangements by a young native of Rio de Janeiro, Antonio Carlos Jobim. Gilberto's whisper-toned, Afro-Indian-influenced Portuguese vocals complemented his ...


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Terry Heimat

composer / conductor

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