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421

Article: Multiple Reviews

Joey Baron: Heaven on Earth, Stolas & Dream Dance

Read "Joey Baron: Heaven on Earth, Stolas & Dream Dance" reviewed by George Kanzler


James Carter/John Medeski/Christian McBride/Adam Rogers/Joey BaronHeaven on EarthHalf Note2009 Masada Quintet Featuring Joe LovanoStolasTzadik2009 Enrico Pieranunzi / Marc Johnson / Joey BaronDream DanceCAMJazz2009

341

Article: Multiple Reviews

Joey Baron: Secrets, I Believe & Live at the Vortex

Read "Joey Baron: Secrets, I Believe & Live at the Vortex" reviewed by Kurt Gottschalk


Mark Feldman / Uri Caine / Greg Cohen / Joey Baron Secrets Tzadik 2009 Daniel Zamir I Believe Tzadik 2008 Julian Siegel Trio Live at the Vortex Basho ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...

336

Article: Album Review

Ben Perowsky Quartet: Esopus Opus

Read "Esopus Opus" reviewed by Troy Collins


A ubiquitous presence in the Downtown New York scene, drummer Ben Perowsky founded and co-led the proto-fusion band Lost Tribe, served in Elysian Fields, Joan as Policewoman, and the Lounge Lizards, while continuing to perform sideman duties for Steven Bernstein, Uri Caine, Dave Douglas, and John Zorn, among others. An artist with eclectic interests, ...

714

Article: Album Review

Masada Quintet Featuring Joe Lovano: Stolas: Book of Angels, Volume 12

Read "Stolas: Book of Angels, Volume 12" reviewed by Troy Collins


John Zorn's Masada project has blossomed over the past decade and a half, demonstrating durability in the face of multiple interpretations. The composer's stated intention to create a classic songbook, a consistent body of written work to inspire artists beyond his own performances, has been fruitful. However, most of the variations on these Hassidic-inspired tunes have ...

239

News: Birthday

Jazz Musician of the Day: Uri Caine

Jazz Musician of the Day: Uri Caine

All About Jazz is celebrating Uri Caine's birthday today! JAZZ MUSICIAN OF THE DAY Uri CaineUri Caine was born in Philadelphia and began studying piano with Bernard Peiffer. He played in bands led by Philly Joe Jones, Hank Mobley, Johnny Coles, Mickey Roker, Odean Pope, Jymmie Merritt, Bootsie Barnes ...

188

News: Event

Jazz in June: An Evening with Uri Caine

Jazz in June: An Evening with Uri Caine

Jazz in June: An Evening with Uri Caine Join us for an evening of savory food, wine and exceptional music with Grammy-nominated jazz pianist and composer, Uri Caine. Enjoy a rare opportunity to experience this groundbreaking performer in an intimate setting while benefiting cutting-edge advocacy for people living with HIV/AIDS. All proceeds from this event will ...

831

Article: Interview

Tom Warner: Honoring the Legacy

Read "Tom Warner: Honoring the Legacy" reviewed by Victor L. Schermer


Tom Warner recently replaced Mervon Mehta as vice-president of programming for the Kimmel Center for the Performing Arts in Philadelphia, when the latter took the head position at the Royal Conservatory of Music in Toronto. Among his eclectic musical tastes, the accessible, warm and articulate Warner has a strong interest in jazz.

327

Article: Album Review

Mark Feldman / Uri Caine / Greg Cohen / Joey Baron: Secrets

Read "Secrets" reviewed by Warren Allen


Mark Feldman, Uri Caine, Greg Cohen and Joey Baron have all played integral parts in John Zorn's many explorations of Jewish improvised music. All four have won acclaim for the distinctness and flexibility of their sounds, but here they work in a setting that defines the meaning of traditional. With a group such as this, it ...

450

Article: Album Review

Uri Caine Ensemble: The Othello Syndrome

Read "The Othello Syndrome" reviewed by Martin Longley


Addressing the output of classical composers seems eventually to have become the dominant thrust of keyboardist Uri Caine's work. Schumann, Wagner, Bach, Beethoven and Mahler have fallen to sometimes radical re-posturing of their grand scores. Caine messes with the old assumed interpretations, deliberately distorting the usual expectations of performance by inserting elements of jazz, rock, funk, ...


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