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Article: Album Review

Lawrence Casserley & Jean-Michel Van Schouwburg: Mouth Wind

Read "Mouth Wind" reviewed by John Eyles

by John Eyles

Recorded in May, 2010 at Lawrence Casserley's studio in the Chiltern Hills, Buckinghamshire, Mouth Wind is a happy pairing of Casserley's signal processing with the idiosyncratic vocals of Belgium's Jean-Michel van Schouwburg, a pairing which benefits both of them greatly. The duo format suits each of the two in a different way; in larger groupings such ...

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Article: Album Review

Travis & Fripp: Follow

Read "Follow" reviewed by John Kelman

by John Kelman

The potential of the improvising duo has been tremendously extended thanks to the seemingly limitless possibilities of technology. King Crimson co-founder/guitarist Robert Fripp has always been on the cutting edge of that technology, whether in the context of his now-deserted flagship group, on his groundbreaking duo recordings with Brian Eno or alone, with his series of ...

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Article: Album Review

Django Bates Beloved: Confirmation

Read "Confirmation" reviewed by John Kelman

by John Kelman

In the jazz world, groups often convene for special projects, though, more often than not, the participants then usually go their separate ways, even if the underlying concept- -or, even, just the band's chemistry--suggests further continuance. When Django Bates put together Belovèd Bird (Lost Marble, 2010), it seemed likely that the maverick British pianist, composer and ...

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Article: Live Review

New Order: Novi Sad, Serbia, July 13, 2012

Read "New Order: Novi Sad, Serbia, July 13, 2012" reviewed by Nenad Georgievski

by Nenad Georgievski

New OrderExit Festival Petrovaradin FortressNovi Sad, SerbiaJuly 13th, 2012The British band New Order has been making music for roughly three decades. In that time, these rockers have built audiences the world over even after the band's 1980s and '90s heyday. The band, which grew out of the rubble of the ...

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Article: JazzLife UK

The Art Of The Song

Read "The Art Of The Song" reviewed by Bruce Lindsay

by Bruce Lindsay

Singing is possibly the most universal of the arts, certainly of the musical arts. The human voice is the most portable of instruments, always there, always available. It's also the most expressive of instruments: almost every instrument invented in history has at some time or other been used to mimic the voice; none have truly succeeded.

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News: For Sale

Jazz on Film... Film Noir (Limited Edition 5-CD box set) on Moochin’ About

Jazz on Film... Film Noir (Limited Edition 5-CD box set) on Moochin’ About

Collected together for the first time... Seven classic 1950’s film noir jazz-inspired original scores Best ever quality digital remastering A Streetcar Named Desire (Alex North) Private Hell 36 (Leith Stevens) The Man with the Golden Arm (Elmer Bernstein) Sweet Smell of Success (Elmer Bernstein/Chico Hamilton)

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Article: JazzLife UK

Eat Worms Or Be Loved

Read "Eat Worms Or Be Loved" reviewed by Bruce Lindsay

by Bruce Lindsay

The first JazzLife UK article of 2012 has been some time coming: my apologies to anyone who noticed. By way of recompense this edition moves beyond the narrow confines of the British Isles to discuss an international Jazz Quandary: if jazz has gone so horribly wrong, how can we fix it? It's a big ...

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Article: JazzLife UK

The JazzLife UK Gilded Butterfly Awards 2011

Read "The JazzLife UK Gilded Butterfly Awards 2011" reviewed by Bruce Lindsay

by Bruce Lindsay

As Noddy Holder and the mighty Slade remind us every year, “It's CHRISTMAAAAAAS." With the Yuletide festivities comes the annual avalanche of End Of Year lists, Best Of awards and Grammy nominations. This year, JazzLife UK adds its own awards to the list: the inaugural JazzLife UK Gilded Butterfly Awards (or GBs). In line with the ...

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Article: JazzLife UK

It's Our Generations

Read "It's Our Generations" reviewed by Bruce Lindsay

by Bruce Lindsay

It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...

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Article: JazzLife UK

So Why Can't Jazz Guitarists Play Chords?

Read "So Why Can't Jazz Guitarists Play Chords?" reviewed by Bruce Lindsay

by Bruce Lindsay

This edition of JazzLife UK starts about as far from Britain as it's possible to get in the USA without toppling head first into the Pacific. It returns to its spiritual and physical homeland of Norfolk, where it can happily hide from the real world until next time, and looks forward to a festival that combines ...


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