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Greg Wall: Later Prophets
by John Kelman
On Later Prophets , his third release as a leader, reedman Greg Wall continues to use traditional Jewish music as a starting point, as he has with Hasidic New Wave, but the complexion is altogether different. Traversing the diverse from an authentic ethnic style to Ayler-like freedom, from ambient work reminiscent of Mal Waldron’s work on ...
Jenny Scheinman: Shalagaster
by Celeste Sunderland
Jenny Scheinman’s third solo album, Shalagaster, shimmers with such an array of color that it could work quite nicely as the score to a silent film. In fact, with a traipsing swagger and harmonies that gleam like satin, the record recalls a bit of silver screen romance. But purely old fashioned it is not. The violinist’s ...
John Zorn's 50th Birthday Celebration
by John Kelman
Masada String Trio 50th Birthday Celebration: Volume 1 Tzadik 2004 For the entire month of September 2003, multi-instrumentalist/composer John Zorn celebrated his 50th birthday with a series of concerts at Tonic in New York City. For thirty days he looked at groups past and present, for one of ...
Jenny Scheinman: Shalagaster
by AAJ Staff
Tzadik's Oracle series, dedicated to creative female artists, is now in its ninth reincarnation, after memorable releases by Susie Ibarra and Yuka Honda, among others. Shalagaster draws its strength from the warm, melodic sound of Jenny Scheinman's violin, funneled into a series of relatively low-key original compositions. Varied international flavor comes through in the form of ...
Borah Bergman: Meditations for Piano
by AAJ Staff
In a day and age of recording over-saturation, most covering too much ground over the course of a 70-plus minute CD, Bergman’s Meditations for Piano remains focused on a massaging mood established from note one to the final minute-and-half “Meditation 7,” all in under 50 very digestible minutes. Influenced early on by Lennie ...
Jenny Scheinman: Shalagaster
by Mark Corroto
At some point in the ongoing developments of postmodern American music, the eclecticism that is the signature of this movement had to take on a more personal approach or forever be assigned to the obscurity of novelty music. Like Dizzy Gillespie’s absorption of Latin music or John Coltrane’s incorporation of Indian themes, violinist Jenny Scheinman’s music ...
Jenny Scheinman: Shalagaster
by Dan McClenaghan
If you're one of the, what, couple of million or so music purchasers in possession of Norah Jones' Come Away With Me, you've heard Jenny Scheinman, who lent her big violin sound to that surprising hit—one of many astute backing musician choices made for the singer's debut recording.With Shalagaster, Scheinman has put together an ...


