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Results for "Two for the Show Media"
Thomson Kneeland: Mazurka For A Modern Man
by Jerry D'Souza
Thomson Kneeland makes a creative surge on Mazurka For A Common Man, with wide-ranging music that captures the bassist's skills as a writer--a trait in evidence right from his first CD, The Voice of Blood (Weltschmerz Records, 2001). He went on to record three more albums with his band, Kakalla--documenting, in tandem, Kneeland's ability to write ...
Patrick Cornelius: Fierce
by Dan Bilawsky
Fierce isn't the most inviting album title in the world. People with a penchant for gauging albums based on single-word descriptors could be scared off here, but they'd be missing out on some bold performances that are creative and, yes, occasionally fierce. Some of the most striking music coming out these days seems ...
Mike Mainieri / Marnix Busstra Quartet: Trinary Motion: Live in Europe
by John Kelman
Looking more like a man in his fifties than his 72 years, vibraphonist Mike Mainieri has been stepping up the pace, with three fine but stylistically different albums in the last year: Crescent (NYC, 2010), an elegant and moving John Coltrane tribute with recently departed alto great Charlie Mariano; 2.0 (NYC, 2010), celebrating the return of ...
Hubert Nuss: The Book of Colours
by Dan McClenaghan
Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...
Mike Mainieri / Marnix Busstra Quartet: Trinary Motion / Live in Europe
by Jerry D'Souza
Vibraphonist Mike Mainieri and guitarist Marnix Busstra demonstrated a kinetic relationship on their 2009 recording, Twelve Pieces (NYC Records); a compelling portrait of the musicians playing with and off each other. Its success spurred a tour and, happily, almost two hours of live recorded music. Tone and shape are sketched by the Mainieri ...
Scott Lee: Leaving
by Dan Bilawsky
One word album titles often invite a lot questions about intent and direction. What exactly is bassist Scott Lee leaving behind? The answer is: nothing, and a little bit of everything at the same time. Lee is no newcomer on the scene and, for the past decade, he and his musical cohorts have been working out ...
David Bixler and Arturo O'Farrill: The Auction Project
by Dan Bilawsky
Cuba and Ireland are worlds apart in virtually every way, but the universal language of music--is often culture-blind. The Auction Project was born out of a marriage between two longtime musical partners--saxophonist David Bixler and pianist Arturo O'Farrill--and a marriage between, well...two married people. Bixler and O'Farrill, longtime band mates and label mates on Zoho Music, ...
Scott Lee: Leaving
by Mark Corroto
Maybe te annual jazz awards need to add a new category for musicians like Scott Lee. It could be titled “master musicians deserving of wider recognition." The veteran bassist has been on the New York scene since the 1970s, and a member of numerous bands including those led by titans Chet Baker, Joe Lovano, and, Kenny ...
Eli Degibri: Israeli Song
by Dan McClenaghan
Saxophonist Eli Degibri's name may be the least familiar one on the cover of Israeli Song. His quartet mates on this superb disc are of the highest level; it would be hard to find higher profile or finer accompanists. With that lineup--two legendary stars in drummer Al Foster and bassist Ron Carter--and, in pianist Brad Mehldau, ...
Eli Degibri: Israeli Song
by Dan Bilawsky
Eli DegibriIsraeli SongAnzic Records2010 If jazz buffs were approached at the start of the 1990s and asked to list some top-flight Israeli jazz musicians, plenty of them wouldn't be able to utter a single name. That just goes to show how much the times have changed. In ...
