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Mauricio De Souza: Here. There...
by Woodrow Wilkins
Drummer Mauricio De Souza has roots in both Brazilian music and jazz. It follows that he would issue Here. There ..., a recording that presents both. De Souza was born in Brasilia, Brazil. Among his inspirations are Buddy Rich, Airto Moreira and Dave Weckl. His two ensembles--Bossa Brazil and Mauricio De Souza Group--are employed ...
Hubert Nuss: The Book of Colours
by C. Michael Bailey
Ambitious projects like Hubert Nuss' The Book of Colours are not unheard of. Here, the German pianist endeavors to explore multiple modes based on a color wheel. Russian synesthete and composer Alexander Scriabin was profoundly moved by the smell and feel of color in his composing, attempting a synthesis of the five senses in his unfinished ...
Thomson Kneeland: Mazurka For A Modern Man
by Jerry D'Souza
Thomson Kneeland makes a creative surge on Mazurka For A Common Man, with wide-ranging music that captures the bassist's skills as a writer--a trait in evidence right from his first CD, The Voice of Blood (Weltschmerz Records, 2001). He went on to record three more albums with his band, Kakalla--documenting, in tandem, Kneeland's ability to write ...
Patrick Cornelius: Fierce
by Dan Bilawsky
Fierce isn't the most inviting album title in the world. People with a penchant for gauging albums based on single-word descriptors could be scared off here, but they'd be missing out on some bold performances that are creative and, yes, occasionally fierce. Some of the most striking music coming out these days seems ...
Mike Mainieri / Marnix Busstra Quartet: Trinary Motion: Live in Europe
by John Kelman
Looking more like a man in his fifties than his 72 years, vibraphonist Mike Mainieri has been stepping up the pace, with three fine but stylistically different albums in the last year: Crescent (NYC, 2010), an elegant and moving John Coltrane tribute with recently departed alto great Charlie Mariano; 2.0 (NYC, 2010), celebrating the return of ...
Hubert Nuss: The Book of Colours
by Dan McClenaghan
Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...
Mike Mainieri / Marnix Busstra Quartet: Trinary Motion / Live in Europe
by Jerry D'Souza
Vibraphonist Mike Mainieri and guitarist Marnix Busstra demonstrated a kinetic relationship on their 2009 recording, Twelve Pieces (NYC Records); a compelling portrait of the musicians playing with and off each other. Its success spurred a tour and, happily, almost two hours of live recorded music. Tone and shape are sketched by the Mainieri ...
Scott Lee: Leaving
by Dan Bilawsky
One word album titles often invite a lot questions about intent and direction. What exactly is bassist Scott Lee leaving behind? The answer is: nothing, and a little bit of everything at the same time. Lee is no newcomer on the scene and, for the past decade, he and his musical cohorts have been working out ...
David Bixler and Arturo O'Farrill: The Auction Project
by Dan Bilawsky
Cuba and Ireland are worlds apart in virtually every way, but the universal language of music--is often culture-blind. The Auction Project was born out of a marriage between two longtime musical partners--saxophonist David Bixler and pianist Arturo O'Farrill--and a marriage between, well...two married people. Bixler and O'Farrill, longtime band mates and label mates on Zoho Music, ...
Scott Lee: Leaving
by Mark Corroto
Maybe te annual jazz awards need to add a new category for musicians like Scott Lee. It could be titled “master musicians deserving of wider recognition." The veteran bassist has been on the New York scene since the 1970s, and a member of numerous bands including those led by titans Chet Baker, Joe Lovano, and, Kenny ...
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