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About Marlon Jordan
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Marlon Jordan
Born:
Marlon Jordan, the youngest of seven children of musician-educator Edward Jordan and Edvidge Jordan, a classical pianist. "I started out playing saxophone, violin and drums," says Marlon, "but the trumpet was the instrument that stuck with me." Marlon recalls his father literally taking him on the bandstand "even before I really knew how to play. He'd introduce me to all the musicians, and they'd call me up on the stand. They'd say, 'Come on. That's Kidd's son. Let him play."
As he continued his musical studies he had the day to day inspiration of Wynton Marsalis, Terence Blanchard, and many others to draw on. The young musicians often hung out at the Jordan household where they would practice music with Kent Jordan and take lessons from Edward Jordan. Marlon graduated from the famed NOCCA (New Orleans Center for the Creative Arts).
About Thad Jones
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Thad Jones
Born:
Thaddeus Joseph Jones (March 28, 1923 - August 21, 1986) was an American jazz trumpeter, composer, and bandleader. He was born in Pontiac, Michigan to a musical family of ten (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). Thad Jones was a self taught musician, performing professionally by the age of sixteen. He served in U.S. Army bands during World War II (1943-46). After the war, Thad Jones continued his professional music career, eventually winding up with Count Basie in 1954, for whom he arranged, composed, and performed. He stayed with Basie for nine years
About Jonah Jones
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Jonah Jones
Born:
A talented and flashy trumpeter, Jonah Jones hit upon a formula in 1955 that made him a major attraction for a decade; playing concise versions of melodic swing standards and show tunes muted with a quartet. But although the non-jazz audience discovered Jones during the late '50s, he had already been a very vital trumpeter for two decades. Jones started out playing on a Mississippi riverboat in the 1920s. He freelanced in the Midwest (including with Horace Henderson), was briefly with Jimmie Lunceford (1931), had an early stint with Stuff Smith (1932-1934), and then spent time with Lil Armstrong's short-lived orchestra and the declining McKinney's Cotton Pickers
About Leroy Jones
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Leroy Jones
Born:
The legendary jazz trumpeter Leroy Jones is known to music lovers as the "keeper of the flame" for traditional New Orleans jazz and to critics as one of the top musicians ever produced by the Crescent City. "The mission of the Leroy Jones Quintet is to expose audiences everywhere to the authentic music of New Orleans, the music of Louis Armstrong, Buddy Bolden, Danny Barker and all the other greats who have helped create the rich gumbo that is the sound of New Orleans," he says, "while putting our own more modern stamp on it." Jones himself, a native of New Orleans, whose playing has been described as a blend of Louis Armstrong and bebop virtuoso Clifford Brown, has been a critical figure in the history of New Orleans music. A member of the New Orleans Jazz Hall of Fame, he was leader at the tender age of 12, of the seminal Fairview Band, a brass band whose alumni have included some of the best known musicians in New Orleans
About Carmell Jones
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Carmell Jones
Born:
An excellent hard bop trumpeter, Carmell Jones would probably have been much better-known today if he had not moved to Europe in the mid-'60s at the height of his career. In 1960, after two years in the army and two years at the University of Kansas as a music education and trumpet major, Carmell left the midwest and became a studio musician in California. He recorded with artists such as Sammy Davis, Jr, Bob Hope, and Nelson Riddle. During this chapter in the Carmell Jones success story, he was being compared to Clifford Brown and Fats Navarro. Carmell developed a close association with Bud Shank as a member of his quintet
About Bunk Johnson
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Bunk Johnson
Born:
A jazz legend from before the music existed in name; separating the truth from the myth in the life of trumpeter Bunk Johnson has never been simple. While Johnson claimed he was born in Louisiana in 1879, it's become generally accepted that his birth was actually 10 years later. He’s said that he performed with Adam Olivier and Buddy Bolden's orchestras in the 1890s, as well as with circuses, minstrel shows and on ocean liners. Whether or not that was all true, is not proven. Louis Armstrong did hear him in New Orleans around 1915 and recalled, "Bunk played funeral marches that made me cry!" Johnson continued to tour throughout the South at one point backing early blues queen Ma Rainey until dental problems forced him to retire in 1933
About Ingrid Jensen
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Ingrid Jensen
Born:
Born in Vancouver and raised in Nanaimo, Canada, Ingrid headed east after receiving a number of scholarships to attend the Berklee College of Music in Boston. Since graduating in 1989, her life has contained a whirlwind of musical activities. From her early days playing in the subways of New York, to establishing herself as a leader and soloist in a wide array of musical genres, Ingrid has made her mark. Her three CD's for the ENJA label won her nominations from the Canadian Juno Awards, including an award in 1995 for Vernal Fields. Her performances as a leader and as a featured soloist have taken her around the world from Canada to Japan, Australia, South America, the Caribbean and to almost every country in Europe and Scandinavia. Jensen can be heard with the Maria Schneider Orchestra, a number of other New York-based bands, as well as with her own groups
About Clay Jenkins
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Clay Jenkins
Born:
Clay Jenkins' career as a jazz artist has covered a wide range of musical experiences and responsibilities, bringing him to the forefront of the jazz performing and teaching arenas. Clay's experience as a performer began at an early age playing with the Stan Kenton Orchestra. He recorded three live albums with the Kenton Band, Artistry in Symphonic Jazz, A Time for Love, and The Lost Concerts, Vols. I & II, and was also involved with the "Stan Kenton Orchestra in Residence Jazz Camps." Clay moved to Los Angeles in1978, where he was in demand as both a live performer and studio-recording musician
About Harry James
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Harry James
Born:
One of the most popular bandleaders of the wartime era, Harry James is best remembered today for his colorful trumpet playing and as the husband of pin-up girl Betty Grable. Born in a run-down hotel next to the city jail in Albany, Georgia, Harry's parents were circus performers -- his mother a trapeze artist and his father the bandleader.
James began playing drums at age seven and took up the trumpet at ten, performing for the Christy Brothers circus band. James' family later settled in Beaumont, Texas, and he began playing for local dance bands while in high school. In 1935 he joined Ben Pollack's orchestra, leaving in December 1936 for Benny Goodman. During his time with Goodman, James became very popular with the jazz crowd for his colorful, ear-shattering, trumpet playing. He became so popular that when he decided to leave Goodman in December 1938 to form his own band Goodman himself financed the outfit.
About Dewey Jackson
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Dewey Jackson
Born:
Legendary trumpeter Dewey Jackson was born just a few weeks before Louis Armstrong in June of 1900, but unlike Satchmo, Jackson rarely left his native St. Louis. Interestingly, for being one of St. Louis' marquee jazz names of the 20s and establishing a legacy that lasted for decades, Jackson was rarely recorded. Jackson played a year with ragtimer George Reynold's Keystone Band before joining Charlie Creath and alternated between the Creath,and Fate Marable bands on the famed riverboats. He went on to lead his own groups, most notably the Peacock Orchestra, before briefly joining the first Cotton Club band in New York. Jackson recorded for Vocallion in 1926, with Creath for Okeh in '27 and with bassist Singleton Palmer


