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Hiroaki Honshuku's Racha Fora: Happy Fire - New Kind of Jazz
by Troy Dostert
There's certainly no shortage of self-confidence in a musician who decides to subtitle an album New Kind of Jazz, as does Hiroaki Honshuku on the third release by his jazz fusion band Racha Fora. The group does possess a distinctive sound, to be sure, in large part due to its instrumentation: with Honshuku the dominant presence ...
Guillermo Nojechowicz's El Eco: Puerto de Buenos Aires 1933
by Troy Dostert
In 1933, Europeans were only beginning to understand the horrors that the Nazi regime would bring to the continent. But already at that early stage, Jewish communities reacted with alarm to Hitler's rise to power--and many consequently made the decision to emigrate. One of the most common destinations in the Western Hemisphere was Argentina, which had ...
Mary Halvorson: Code Girl
by Troy Dostert
Those familiar with guitarist Mary Halvorson's numerous projects have become well-acquainted with the idiosyncratic, unorthodox, sometimes cerebral approach she takes to her craft. Halvorson's compositions are consistently thoughtful but rarely predictable and her improvising is similarly distinctive, so expecting the unexpected is par for the course. Even so, the breadth of Halvorson's interests and influences can ...
Dafnis Prieto Big Band: Back to the Sunset
by Troy Dostert
The astonishingly talented and prolific drummer Dafnis Prieto has done a lot since moving to the States from his native Cuba in 1999. He's made a host of sideman appearances with musicians of widely varying stripes, including Peter Apfelbaum, Michel Camilo, Steve Coleman, Marilyn Lerner, Brian Lynch, Henry Threadgill, Chucho Valdés, and John Zorn. He won ...
Rob Clearfield: Wherever You're Starting From
by Troy Dostert
Chicago-based keyboardist Rob Clearfield has long been an active presence in the Windy City jazz scene, working with folks like bassist Matt Ulery, drummer Jon Deitemyer and guitarist Dan Bruce. Just last year, his appearances on Bruce's Earthshine (ears&eyes Records) and trumpeter Adam Larson's Second City (Inner Circle Music) were indicative of Clearfield's stylistic diversity, proving ...
Diane Moser: Birdsongs
by Troy Dostert
While she hasn't gotten quite the recognition she deserves, pianist/composer Diane Moser has steadily released a series of fine recordings over the last couple decades. Her 17-piece Composers Big Band recorded Live at Tierney's Tavern in 1999 (on the New Arts label), but she's also made some excellent smaller-group records, some of which have featured some ...
Weird Beard: Orientation
by Troy Dostert
On a recording that exemplifies the “less is more" approach to music-making, Orientation finds Florian Egli's Weird Beard quartet crafting dreamy soundscapes that derive their appeal from the interstices between the notes. With disarmingly simple tunes that seem at times to float on a delicate ether, alto saxophonist/clarinetist Egli, guitarist Dave Gisler, bassist Martina Berther and ...
Other Animal: Other Animal
by Troy Dostert
Peter and Bernhard Meyer, two-thirds of the German combo Melt Trio, decided to join forces with a couple new colleagues for a fresh take on their trademark blend of rock and jazz grooves, or what they call “alternative prog-jazz." Guitarist Peter and bassist Bernhard usually partner with drummer Moritz Baumgärtner, but Other Animal features Jim Black ...
Kokotob: Flying Heart
by Troy Dostert
Back in 2006, vibraphonist Taiko Saito teamed up with pianist Niko Meinhold for a duet album entitled Koko (Pirouet), on which they forged a synthesis of classical and improvised jazz music. Here they've added another member, clarinetist Tobias Schirmer, and the trio (now dubbed Kokotob) has produced a deeply pensive, compelling album that relies as heavily ...
Jonathan Saraga: Journey to a New World
by Troy Dostert
It's been five years since Jonathan Saraga's debut release, First Vision, but the trumpeter's sophomore album was worth waiting for. Saraga's precise and passionate technique, combined with thoughtful, well- constructed compositions (and a couple nicely-arranged cover tunes) make for a stimulating listen that rewards on a number of levels. The record's title captures the feel of ...
