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Scott Sawyer: Night Visions
by Troy Dostert
As a North Carolinian, guitarist Scott Sawyer may not enjoy the visibility of his counterparts in better-known jazz meccas, but fans of contemporary jazz guitar shouldn't pass him up. With some smart songwriting instincts and a knack for finding talented bandmates, not to mention possessing terrific guitar chops, Sawyer delivers on the promise of a career ...
Rodney Whitaker with the Christ Church Cranbrook Choir: Cranbrook Christmas Jazz
by Troy Dostert
Bassist Rodney Whitaker has been a huge presence in Michigan jazz for decades, with his leadership of the Michigan State University jazz program complementing his many other projects and giving him the opportunity to mentor upcoming generations of jazz talent. He has become a crucial ambassador for the music as well, with community outreach being a ...
Geof Bradfield, Ben Goldberg, Dana Hall Trio: General Semantics
by Troy Dostert
A fortuitous meeting between veteran clarinetist Ben Goldberg and two up-and-coming stalwarts of the Chicago creative jazz scene, saxophonist Geof Bradfield and drummer Dana Hall, General Semantics is a tribute to the power of spontaneous interaction among like-minded musicians. Although Bradfield and Hall have worked together extensively since Bradfield's quintet album Our Roots (Origin Records, 2015), ...
Rich Halley: The Shape Of Things
by Troy Dostert
One thing is certain when approaching a Rich Halley recording: it's likely that you will hear the history of the saxophone in his playing. He's as capable of filling the room with fractured sound as he is in gently ruminating over a haunting phrase, and bop licks are as common as noisy abstraction on his albums; ...
Troy Dostert's Best Releases of 2020
by Troy Dostert
2020 will be remembered as a year of resilience. And surely a part of that story will be the fortitude displayed by musicians of all stripes, who have endeavored creatively to manage the challenges of a hollowed-out economy and a global pandemic with innovative business platforms and novel approaches to recording and content delivery. The jazz ...
Natsuki Tamura, Satoko Fujii and Ramon Lopez: Mantle
by Troy Dostert
Trumpeter Natsuki Tamura and pianist Satoko Fujii have made so many records together that it seems impossible to keep track of them all. Partners in life and in music, they have collaborated on everything from duo recordings to Fujii's large-scale orchestras. In 2020 alone, their Kaze quartet released Sandstorm (Circum-Disc) featuring electronics specialist Ikue Mori, and ...
Susan Alcorn Quintet: Pedernal
by Troy Dostert
Pedal steel guitarist Susan Alcorn has achieved the enviable feat of commanding her own instrumental niche in the jazz world. Much like Toots Thielemans' harmonica, Gary Versace's accordion or Béla Fleck's banjo, she seems to have a unique role all to herself, at least until her substantial talents eventually spawn a host of imitators. From her ...
Bill Evans: Bill Evans Live at Ronnie Scott's
by Troy Dostert
All fans of Bill Evans, and piano trio enthusiasts generally, owe a huge debt of gratitude to Resonance Records, which over the last decade has released a formidable series of Evans discs featuring previously unreleased material (unless you count bootlegs). Beginning with Live at Art D'Lugoff's Top of the Gate in 2012, showcasing Evans' trio with ...
Kevin Sun: (Un)seaworthy
by Troy Dostert
Although he's a relative newcomer to the jazz world, having released his debut album, Trio (Endectomorph Music) in 2018, tenor saxophonist Kevin Sun is well on his way toward staking a major claim as a distinctive composer and soloist. After an excellent two-disc effort, The Sustain of Memory (Endectomorph) in 2019, he's now adding to his ...
I.P.A.: Bashing Mushrooms
by Troy Dostert
Comprised of an impressive roster of Scandinavian all-stars, I.P.A. might only need a better name if the group is to break through to wider notice. Harnessing its commitment to post-bop freedom to thoughtful tunecraft, the band's music is both accessible and tough-edged, cerebral and hard-grooving in equal measure. The quintet's first Cuneiform release, I Just Did ...
