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Sun Ra: Some Blues But Not The Kind Thats Blue

by Troy Collins
Pioneering bandleader Sun Ra recorded very few small group recordings in his lifetime. Those existing albums rarely focus on standard material, which makes Some Blues But Not The Kind Thats Blue unique in his vast discography. Taking up where the Evidence label left off in the late 1990s, Atavistic's Unheard Music Series has begun reissuing some ...
Keefe Jackson's Project Project: Just Like This

by Troy Collins
Arriving in Chicago from Fayetteville, Arkansas in 2000, multi-instrumentalist Keefe Jackson has been steadily making waves in the Windy City's vibrant jazz community. His recent offering, the swinging and adventurous Just Like This, showcases Jackson's historically aware writing as well as the astute abilities of his collaborators. Ready Everyday (Delmark, 2006) was the adventurous ...
Steve Lantner Trio: What You Can Throw

by Troy Collins
Seamlessly integrating divergent threads of musical history into a singular style, Boston-based pianist Steve Lantner has established himself as an artist to watch. His third trio recording and fifth as a leader, What You Can Throw is definitive--a swinging maelstrom of lyrically disjointed melodies and abstruse rhythms. Lantner is joined by his regular rhythm ...
Cuong Vu: Vu-Tet

by Troy Collins
Vietnamese-born trumpet phenomenon Cuong Vu has been melding electronic soundscapes and rock-oriented structures with jazz improvisation since his debut, Bound (Omnitone, 2000). Following in the footsteps of the critically acclaimed It's Mostly Residual (ArtistShare, 2005), Vu continues to explore the fertile territory between electronic and acoustic music. Joined by fellow New York Downtown scene ...
Steve Lehman Quintet: On Meaning

by Troy Collins
Saxophonist Steve Lehman is a Fulbright scholar and former student of legendary saxophonists Jackie McLean and Anthony Braxton. His recent collaborations with pianist Vijay Iyer and guitarist Liberty Ellman have found him further expanding the intricate polyrhythms and asymmetrical structures that define the M- Base aesthetic. Incorporating the angular polyphony of Braxton's concepts with the advanced ...
Troy Collins' Best of 2007

by Troy Collins
Considering the sheer multitude of recordings released in a year's time, narrowing down what amounts to hundreds of recordings heard to a mere handful is never easy. The titles listed below define for me the most exceptional and rewarding albums heard in a year filled with great music.New Releases The Bad Plus ...
Nathan Eklund Group: The Crooked Line

by Troy Collins
The Crooked Line is New York based trumpeter Nathan Eklund's vibrant sophomore effort, following his 2006 debut, The View From Afar (Jazz Excursion Records). Joined by his erstwhile quintet, Eklund and company ply a subtly adventurous program of mainstream post-bop. Joined by saxophonist Craig Yaremko, pianist Joe Elefante, bassist Brian Killeen and drummer Josh ...
Asaf Sirkis & The Inner Noise: The Song Within

by Troy Collins
UK-based, Israeli-born drummer Asaf Sirkis has maintained his current trio, The Inner Noise, with church organist/keyboardist Steve Lodder and guitarist Mike Outram, since 2002. The Song Within is their third recording together. Inspired in part by the organ music of composer Oliver Messiaen and Maurice Durufle, Sirkis' writing resonates with a rich ...
Nicole Mitchell's Black Earth Ensemble: Black Unstoppable

by Troy Collins
Co-President of the AACM (Association for the Advancement of Creative Musicians) and voted Down Beat Magazine's # 1 Rising Star Flutist for the past two years, Nicole Mitchell is the most significant jazz flutist of her generation. A former student of flutist James Newton, Mitchell is a peerless improviser, having fully absorbed the extended vocal techniques ...
Josh Roseman: New Constellations: Live in Vienna

by Troy Collins
Recorded in Vienna at Joe Zawinul's Birdland, trombonist Josh Roseman pays tribute to the legendary Skatalites' trombonist Don Drummond on New Constellations, a scorching live set that bustles with reggae, dub and electro-funk. The performance tapes were remixed in GoodandEvil's Brooklyn studio, endowing the album with additional layers of sonic detail that blur the line between ...